Rachel Garfield
Rachel Garfield explains how a desire to critique dominant models of the mainstream informs her curatorial practice.
Rachel Garfield explains how a desire to critique dominant models of the mainstream informs her curatorial practice.
Shezad Dawood discusses how he see curation as an opportunity to explore the interplay between his own work and that of other artists.
Simon Tegala tells how he needs to adopt many different roles to realise the production of his curatorial projects.
Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.
Andrew Maclean is one of three graduates from the 2003 a-n Magazine degree show reviews feature ‘School’s out’ who hav given updates on their practice in ‘School reunion’ as part of 2009 Degrees.
Frances Lord discusses her practice as a curator, writer, freelance project manager and art consultant with Jane Watt.
Lucinda Holmes has recently re-located to China and become involved with an emerging arts centre called [the studio] that is working towards developing an artists community in Shanghai. In this article she records her impressions of the galleries she has encountered in the city, and discusses how experiencing a different culture has effected her work as an artist.
Cockpit Arts’ chief executive Vanessa Swann and business development manager Ellen O’Hara speak to Jane Watt about Cockpit’s unique incubator scheme for designer-makers in London.
In the run up to the 2008 Zoo Art Fair, Jane Watt’s profile looks at the first four years of this non-profit enterprise.
Tim Birch profiles John Moores Contemporary Painting Prize in the build up to the twenty-fifth exhibition.
Paul Stone talks to Lyndsay Mann about her three-month residency experience at Temple Bar Gallery and Studios in Dublin.
Paul Stone talks to Sheena Macrae about her three-month residency at Gertrude in Melbourne, Australia and its huge impact on her practice.
Paul Stone talks to John Walter about his time at the British School at Rome.
Penny Jones explores the career of Andrew Tanner who has spent ten years as a designer maker developing many successful ranges of batch-produced ceramics.
Penny Jones profiles Fred Baier exploring the development of his career since the 1970s and commissions for an impressive range of private and public clients.
Manick Govinda explores The Arts Foundation’s numerous awards for individual artists and looks at the impact they have on the receipients.
Frances Lord explores Michael Marriott’s career and practice which involves exhibition design, curating, writing, product and furniture design and installation.
Frances Lord profiles Ismini Samanidou who designs woven fabrics for interior spaces, ranging from one-off pieces to limited edition textiles.
Penny Jones talks to Deirdre Nelson about her textile-based work, often made in response to museum collections or site histories and informed by local communities, and residencies in the Scottish Highlands and Australia.
Polly Harknett on the practice of emerging jeweller Lina Peterson, including creative/work balance and exploration of markets for her work.
Frances Lord profiles Linda Florence, who creates wallpapers, flooring surfaces and interior textiles for domestic and commercial interiors, as well as temporary installations in transient materials.
Peter Freeman makes light sculptures and installations that articulate public spaces. Kate Stoddart explores his practice.
Kate Stoddart profiles Andrea Walsh, discussing the development of her practice in ceramics and glass, work/life balance and the outcomes of a residency at Cove Park.
Manick Govinda talks to Lynette Yiadom-Boakye about her practice and the impact of awards from deciBel and The Arts Foundation.
Hannah Pham, a graduate who featured in a-ns Degree show supplement 98 publication talks about coming full circle over the past decade and spending time in Japan.