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Page 2362 – a-n The Artists Information Company
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A text rich environment
Glenn Cruddas, A text rich environment, wall painting 2007.
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C. Morey de Morand 1093
C. Morey de Morand, Berlin Studio
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C. Morey de Morand 1092
Karl Marx Allee, Berlin
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C. Morey de Morand 1090
Snow at Milchhof
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Light Shaft, Blue
C. Morey De Morand, Light Shaft, Blue.
Berlin Series.
Berlin Series.
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Recording singing insects in the Workers Stadium
Catherine Clover, A slightly obscure part of the park, with a rather dodgy looking lake accompanied by this sign, but great for insects.
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Fruit and veg market outside the flat each morning
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Labelled
Helen Thompstone, Labelled
Apple Sticker- Inlaid Veneer
Apple Sticker- Inlaid Veneer
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In search of Albion.
Malcolm Tait, In search of Albion.
The new signs have brought greater numbers to the piece and the interaction is enthusiastic, however with a large passing audience I feel more can be done to develop the engagment further.
The new signs have brought greater numbers to the piece and the interaction is enthusiastic, however with a large passing audience I feel more can be done to develop the engagment further.
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Feeding the creative urge
Feeding the creative urge
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Projecting Text
Glenn Cruddas, Projecting Text
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The wall ready to go
Glenn Cruddas, The wall ready to go
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Portrait of Carolyn Steen, Michael Parker, Alan Borg
Alex Pearl, A scan of the chosen image, the real thing won't really look like this.
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C. Morey de Morand 1076
Kastanienallee, Prenzlauer Berg, East Berlin
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C. Morey de Morand 1075
View now from Studio Kitchen window
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C. Morey de Morand 1073
East Berlin Wauer Park
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C. Morey de Morand 1072
Zionskirche Fleamarket, Berlin
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Laurence Chalks Wobbly Lamps
Laurence Chalks Wobbly Lamps.
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We Beneath by Lizzie Jones
We Beneath by Lizzie Jones.
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Large Farmyard
Shan Miller, Large Farmyard, Acrylic, 197cm x 135cm, 2002.
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Futurism Is Ours
Gluegroup, Futurism Is Ours
The Children's work. Picture taken at the preview.
The Children's work. Picture taken at the preview.
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In search of Albion
Malcolm Tait, In search of Albion
A lot people who interact with the piece do so by taking photographs of family of friends within the installation, making there own souvenir of the piece rather than the postcard we issue free.
A lot people who interact with the piece do so by taking photographs of family of friends within the installation, making there own souvenir of the piece rather than the postcard we issue free.
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imogen bardwell 1068
St Christopher's feet, Hardley, Norfolk.
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imogen bardwell 1067
The seeing and the seen.