Page 2484 – a-n The Artists Information Company
Hayley Newman, ‘Crying Glasses (an aid to melancholia)’, 1998.
Photo: Casey Orr.From the series Connotations Performance.
Included in
Profile: Hayley Newman in Artworld
Sarah Kay, ‘Ngoma’, cypress wood form, woven date palm leaves dyed, mahogany.
Kay & Stemmer, ‘Dining table’.
Photo: Adrian Arbib.
chair and banquette at Cowley Manor Hotel
Sandeep Virdee, ‘Untitled’, 2002.
Delpha Hudson, ‘Double-void’, performance.
Michelle Sank, ‘The emerging self’.
Michelle Sank, ‘The emerging self’, one of a series of fifteen.
Unknown Writer, ‘Roadkill family album (Mum, Fritton, 2000)’.
‘Die Kunst in Academia’, tour T-shirt.
Grennan and Sperandio, ‘Sweden album cover’.
‘Gala reception for CAA conference attendees at the Whitney Museum of American Art’.
Photo: Diane Jarvi.
‘One of the over 100 art materials suppliers, publishers and other exhibitors at the 2003 Book and Trade Fair.’.
Jim Lambie, ‘Funkadelic’, 2001.
Courtesy: The Modern Institute/Jim Lambie.
Paul Seawright, ‘Between’, Duratran and lightbox, 122x152cm, 2003.
Courtesy: Kerlin Gallery.
Simon Pope, ‘work in progress’, photograph, 2003.
Halt & Boring, ‘The Corrections’, 2001.
Siggi Hofer, ‘Ohne Harmony (Without Harmony)’, installation view, Kuntstbuero, Vienna, 2002.
Eszter Agnes Szabó, Monica Balint, ‘Hungarian feast with B+B at Home at the Austrian Cultural Forum’, Sunday 23 March 2003.
Photo: Anthony Auerbach.
Johanna Kandl, ‘Untitled (Modernize...)’, 2002.
Courtesy: Galerie Christine KÖnig, Vienna.
Charlie Murphy, ‘The Art of Tickling Trout and Other Sensual Pleasures’, DVD, installation, 2003.
Tony Sinden, ‘Elevation’, 2002.
Charlie Murphy, ‘The Art of Tickling Trout and Other Sensual Pleasures’, DVD, installation, 2003.
Emilia Telese, ‘Sleepwalking’, photo diary, 2003.
Tony Sinden, ‘Behold Vertical Devices’, 1974 (reconstruction 2002).
Chad McCail, ‘Things get quieter and colder as habits form’, digital print on Fuji archival paper, 48.5x48.5cm, 2003.
Courtesy: Laurent Delaye Gallery, London.