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2014 – How was it for you? #1: Rose Wylie

In the first of our end-of-year series, Rose Wylie – winner of the John Moores Painting Prize 2014 – reflects on 12 months that have seen the joy of her achievements tempered by personal loss.

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Artists working in higher education: “Connecting different approaches”

As part of a year-long research programme exploring how artists and academics have worked together, Castlefield Gallery is hosting a discussion event exploring the approaches artists take to working in higher education. Plus, a-n is offering writer bursaries to enable two artists to attend the event and report back.

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Artists’ livelihoods: a concern shared internationally

While strategies to pay artists better are forging ahead in the UK, this vital issue is also on high on the agenda in some other countries. Susan Jones reports on Working Artists: aspects of art and labour, a recent conference in South Korea which she also spoke at.

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Tate members challenge BP sponsorship at AGM

As part of an action by Liberate Tate, Jon Snow, chair of Tate’s Members Council has been presented with an edition of Conrad Atkinson’s The Oil Ship for display in one of the Tate members’ rooms.

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NOW SHOWING #74: The week’s top exhibitions

This week’s selection includes exhibitions marking the 40th anniversary of Aberdeen’s Peacock Visual Arts and 30 years of Manchester’s Cornerhouse, while elsewhere there’s Howard Hodgkin’s India-inspired gouaches in London, Graeme Durant’s playful constructions in Gateshead, and a group show at Chatham’s new art space, Sun Pier House.

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