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Schwitters’ Merz Barn: “We have an obligation to see through his vision”

Despite a major Kurt Schwitters’ show at Tate Britain last year, the future of the German artist’s Merz Barn in Cumbria remains uncertain. Ian Hunter of the Littoral Trust, which bought the dilapidated barn building in 2006, explains how things stand with the project and why the continued involvement of artists is key to its future.

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Anders Petersen
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PICTURED #15: Anders Petersen

For the first instalment of our Pictured series for 2014, Tim Clark picks up the weighty monograph from legendary Swedish photographer, Anders Petersen, and is blown away by its raw photographs that are brimming with kindness and fury, beauty and abjection.

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Christopher Le Brun
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2013 – How was it for you? #11: Christopher Le Brun

The President of the Royal Academy of Arts reflects on a year that saw a major celebration of Australian art at the Academy, a £12million award from the Heritage Lottery Fund, and the deaths of four distinguished Academicians including Sir Antony Caro.

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Rohan Gunatillake
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2013 – How was it for you? #10: Rohan Gunatillake

The Glasgow-based producer and entrepreneur is becoming an increasingly influential voice in the conversation around the arts and digital technologies. He looks back on a busy year that, amongst other things, has seen him join the Board of the British Council.

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Emily Speed
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2013 – How was it for you? #8: Emily Speed

This year saw Emily Speed, based at The Royal Standard, Liverpool, nominated for the Northern Art Prize and join the Board of a-n. Busy times, then – so busy, in fact, that she really does need a holiday. Or maybe two…

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Bedwyr Williams
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2013 – How was it for you? #6: Bedwyr Williams

This year has seen Welsh artist Bedwyr Williams represent his country at the Venice Biennale while, amongst other things, next year he will play a starring role in the programme for the Glasgow International Festival of Visual Art. If only his big toe wasn’t hurting so much…

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