The Ways of Seeing Climate Change event in Manchester is looking to encourage new collaborations between artists and scientists, while highlighting the positive role artists can play in our understanding of environmental issues and scientific research. We hear from the organisers and some of the artists involved.
The 2013 Turner Prize exhibition has opened at a former army barracks in Derry-Londonderry.
The recipients of the British Ceramics Biennial £10,000 AWARD for ceramicists and FRESH bursary for new graduates have been announced, with installation-based work winning all round.
Artists from across the UK will benefit from a-n bursaries specifically designed to support research and development of new collaborations within or beyond the arts. We introduce the artists and projects.
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A charity auction at Christie’s has raised more than £200,000 towards the south London-based contemporary art organisation’s campaign to own and renovate its building, with works by Chris Ofili and Lynette Yiadom-Boakye exceeding highest estimates.
The second Reith Lecture for BBC Radio 4 by Grayson Perry saw the artist exploring how something is defined as a work of contemporary art.
Following a public consultation, Conrad Shawcross has been selected to create a new commission for Dulwich Park in south London, to honour and replace a stolen work by Barbara Hepworth.
As the eyes of much of the artworld were on Frieze, the artist-led Sluice Art Fair returned for its second edition, with a mission to encourage a sharing of ideas between artist-run scenes. Dany Louise reports on the weekend event in Bermondsey.
This week’s must-see shows include Tate Modern’s latest blockbuster and a Manchester show curated by Jeremy Deller that explores the impact of the Industrial Revolution.
The Social: Encountering Photography, a new festival for photography in Sunderland and north-east England, opens to the public today. We speak to the organisers, Carol McKay and Amanda Ritson about what’s in store, and offer a selection of some of the newly commissioned work.
Ten artists and designers have been shortlisted for this year’s £25,000 Jameel Prize, an international award for contemporary works inspired by Islamic tradition.
For this week’s look at the next seven days (18-24 October) on the international art scene, we’re in Paris, Brooklyn, Shanghai and the Ruhr.
Tate acquires new works by Terry Adkins, Christina Mackie, James Richards and Sturtevant through the Outset/Frieze London Fund.
Is Frieze Art Fair useful in any way to artists and is it good for artists and art? Filmmaker, artist and Frieze first-timer Gillian McIver roams the gallery booths and curated projects at the fair’s vast Regent’s Park marquee and finds the experience useful, enlightening and at times troubling.
A panel including the artist Richard Wentworth, art collector and patron Robert Hiscox and Yorkshire Sculpture Park’s Director of Programmes Clare Lilley, have been debating who should fund public art and what its role should be.
Katerina Athanasopoulou has won the Lumen Prize 2013 for her digital fine art work that explores times of crisis through a return to Plato’s hypothesis of the human soul.
Kirsty Ogg, the current Curator at the Whitechapel Gallery, is leaving to take up a new post as Director of Bloomberg New Contemporaries.
In the first of four Reith Lectures for BBC Radio 4 titled Democracy Has Bad Taste, artist Grayson Perry explored the question of who determines what is ‘good’ art, and why.
This year’s Frieze Projects, the curated programme at Frieze London art fair, is programmed by former senior curator at Serpentine Gallery, Nicola Lees. We talk to her about this year’s artists and presenting work in an art fair context.
This week is ‘Frieze week’ in London, and as well as the internationally recognised Frieze Art Fair in Regent’s Park, the city will be awash with other fairs, some artist-led and focused, some themed, and some unashamedly commercial.
This week’s must-see shows include a contemporary dialogue with Old Masters and the first solo UK show from an artist regarded by some as one of the most significant young American painters working today.
The annual open exhibition that’s known for touring to new exhibition venues announces winners from a shortlist of over 40 exhibitors.
This week (11-17 October), our global look at what’s happening in the visual arts takes us to Japan, USA, France and Germany.
Marking the tenth instalment in our series on art books, Tim Clark turns his attention to David Campany’s Gasoline, an evocative publication comprising 37 press images of gas stations that are imbued with their own history and reveal more than they purport to show.
This year’s Serpentine Gallery Marathon is dedicated to the 89plus project, which looks at artists who have grown up in a digitally networked world – and we’re got a pair of free tickets for the two-day event to give away to an a-n member.
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