News story - Page 110 of 135 - a-n The Artists Information Company

The second Reith Lecture for BBC Radio 4 by Grayson Perry saw the artist exploring how something is defined as a work of contemporary art.

Following a public consultation, Conrad Shawcross has been selected to create a new commission for Dulwich Park in south London, to honour and replace a stolen work by Barbara Hepworth.

As the eyes of much of the artworld were on Frieze, the artist-led Sluice Art Fair returned for its second edition, with a mission to encourage a sharing of ideas between artist-run scenes. Dany Louise reports on the weekend event in Bermondsey.

This week’s must-see shows include Tate Modern’s latest blockbuster and a Manchester show curated by Jeremy Deller that explores the impact of the Industrial Revolution.

The Social: Encountering Photography, a new festival for photography in Sunderland and north-east England, opens to the public today. We speak to the organisers, Carol McKay and Amanda Ritson about what’s in store, and offer a selection of some of the newly commissioned work.

Ten artists and designers have been shortlisted for this year’s £25,000 Jameel Prize, an international award for contemporary works inspired by Islamic tradition.

For this week’s look at the next seven days (18-24 October) on the international art scene, we’re in Paris, Brooklyn, Shanghai and the Ruhr.

Tate acquires new works by Terry Adkins, Christina Mackie, James Richards and Sturtevant through the Outset/Frieze London Fund.

A panel including the artist Richard Wentworth, art collector and patron Robert Hiscox and Yorkshire Sculpture Park’s Director of Programmes Clare Lilley, have been debating who should fund public art and what its role should be.

Katerina Athanasopoulou has won the Lumen Prize 2013 for her digital fine art work that explores times of crisis through a return to Plato’s hypothesis of the human soul.

In the first of four Reith Lectures for BBC Radio 4 titled Democracy Has Bad Taste, artist Grayson Perry explored the question of who determines what is ‘good’ art, and why.

This year’s Frieze Projects, the curated programme at Frieze London art fair, is programmed by former senior curator at Serpentine Gallery, Nicola Lees. We talk to her about this year’s artists and presenting work in an art fair context.

This week’s must-see shows include a contemporary dialogue with Old Masters and the first solo UK show from an artist regarded by some as one of the most significant young American painters working today.

The annual open exhibition that’s known for touring to new exhibition venues announces winners from a shortlist of over 40 exhibitors.

This week (11-17 October), our global look at what’s happening in the visual arts takes us to Japan, USA, France and Germany.

Marking the tenth instalment in our series on art books, Tim Clark turns his attention to David Campany’s Gasoline, an evocative publication comprising 37 press images of gas stations that are imbued with their own history and reveal more than they purport to show.

This year’s Serpentine Gallery Marathon is dedicated to the 89plus project, which looks at artists who have grown up in a digitally networked world – and we’re got a pair of free tickets for the two-day event to give away to an a-n member.

Now on its sixth edition, this year’s Great Northern Contemporary Craft Fair includes, for the first time, work by internationally renowned ceramicist and Manchester Metropolitan University lecturer, Stephen Dixon.

The programme for the sixth edition of Glasgow International Festival of Visual Art, the first under new Director Sarah McCrory, combines the local and international to create a busy 18 days of contemporary art activity across the city.

We report from this year’s Abandon Normal Devices festival at the Foundation for Art and Creative Technology in Liverpool, and explore the role and influence of digital culture and new technologies in a selection of the artists’ work.