For the fifth part in our series that highlights visually-rich art books, Tim Clark sits down with Guillaume Simoneau’s recently published Love and War, and ponders the complex and overlapping narratives of a female soldier fighting in the Iraq war and a love story gone awry.
For the fourth edition in our new series exploring visually-rich art books, Tim Clark reflects on the performative life and real-time experience of photographs in Tom Lovelace’s publication, Work Starts Here.
For the third instalment of our series looking at visually rich art books, we consider the delicate and meditative works of Japanese photographer Rinko Kawauchi, on the occasion of her latest book – Ametsuchi – published by Aperture.
Continuing our new series on visually-rich books, Tim Clark turns his attention to historic images of popes and bishops looking through telescopes in the Vatican Observatory, featured in the publication Curiosity: Art and the Pleasures of Knowing, which accompanies the exhibition of the same name.
A new membership scheme from The Photographers’ Gallery aiming to nurture the next generation of art collectors and philanthropists, launches tonight. We talk to Director Brett Rogers about the project, and about future prospects and challenges as the organisation celebrates the first anniversary of its reopening.
In the first of a new series focusing on visually-rich art books and publications, Tim Clark looks at the disturbingly sublime images of the photographer Richard Mosse, whose images from wartorn Congo are currently showing in Venice and are to be featured in a 240-page book from Aperture.
As the second edition of Liverpool’s international photography biennial LOOK/13 launches, Director Patrick Henry talks about the world-class programme that’s in store.