In the first of a new monthly series focusing on artists’ books, Sarah Bodman – researcher at UWE Bristol’s Centre for Fine Print Research – introduces a screenprinted hardback that draws on Russian Constructivist graphics and features a specially commissioned poem by Benjamin Heathcote.
This book forms part of my long-term project ‘Waiting and Drawing’. This began life when I would spend many frustrating minutes waiting for the computer to load. Now that I have fancy Windows 7, I no […]
The first weekend in March is usually reserved for the International Contemporary Artists’ Book Fair here in Leeds and this year was no exception. However, unlike previous years when it was held in Parkinson Court at the University of Leeds, […]
The relationship between vitrines and institutional critique has inspired my latest collaborative project, ‘The Imaginary Museum’, a direct reference to the Andre Malraux publication ‘Museum without Walls’ (discussed in week 60). Under the auspices of the Artist Book Collective, I […]
Emily Speed – already well known for her Artists talking blog ‘Getting paid’ and her regular reports for a-n Magazine – added curatorship of an artists’ books project to her portfolio of skills last month, through a commission from a-n.
‘Artists’ Books: Potent Spaces for unusual voices or vanity publishing for the favoured few?’ Presentation by Sara Wajid, first published in November 2005 on the Future forecast: Curated space online think-tank.
Helen Knowles, who featured in a-n’s Degree show supplement 98 publication, reviews her progress over the past decade and discusses her current practice.
Maria Fusco on artist’s books, her contribution to ten two zero zero five, a-n Collections.
Sarah Bodman explores a selection of recent limited edition works that show a fluid crossover between artists’ books and multiples.
Clark Dawson met the Glasgow-based creators of this artists’ book to find out the intentions behind it.
