The concept for my degree show work, and therefore my art practice is still evolving. However, I feel it is now arriving close to the point where I’m happy with the evolution of my ideas and what the final outcome […]
There is a discontinuity between me as spectator-traveller and the space of the landscape I journey through that stops me seeing sites as places or from being fully present in them, even when I try tactics to bridge the gap. […]
I’m interested in how my project investigating the experience of the train journey from Marden to London could be interpreted if I read it from Marc Augé’s perspectives on non-places: For Augé, our modern-day environment has undergone such drastic changes […]
I’m interested in how my project investigating the experience of the train journey from Marden to London could be interpreted if I read it from the perspective of Marc Augé’s Non-Places: An Introduction to Supermodernity. Here’s what he says about […]
Tactics: take 30 seconds of film either side of the still. Play it at normal speed, freezing it every 1 second to draw the skyline. I don’t like the mark-making in this – too controlled – lacks expression More […]
Similar tactics as before: use a new still shot, take 30 seconds of film either side of it, play this at 25% speed and draw the results. Repeat this four times, quickly, one after the other. These are the results: […]
The third drawing in this set of experiments: Bought new pens – Staedtler Permanent Lumocolor fine and superfine refillable nibs – and used the fine one for this drawing. Summary This feels like a step forward Pen thickness ideal – […]
Here’s my second attempt at a drawing: I bought a selection of new pens – Artline 70, Artline 700, Staedtler Permanent Lumocolor pen (medium) and a pencil – and eventually settled on the Staedtler as the most appropriate thickness for […]
My survey film has a still shot where a man-made structure is fixed in focus against a speed-blurred, haunted background. Inspired by Rachel Lowe’s ‘A letter to an unknown person n.05’, I cut 30 seconds of footage either side of […]