This is a record of a research and development project funded by the Arts Council, uniting artistic practice with scientists, academics, architects and health professionals. The projects focus is the influence of environment on human experience and wellbeing.
This past week we have been installing our contribution to Platform 2016 at Edinburgh Art Festival alongside The Brownlee Brothers, Jack Saunders and Dorian Jose Braun. Monday was spent transporting Paloma’s ceramic work from her RCA studios in London to […]
I have been thinking about how I can use my limitations as material and it seems that it is the ‘red tape’ that comes with creating work within an institutional setting that is the boundary stopping me from progressing with […]
It’s been a few weeks since I last updated my blog; it’s been a busy month to say the least but I’ve had some exciting news and fantastic opportunities. Most recently I was selected as a member of The Royal […]
Following the launch of this Arts Council funded project in May 2016, a new installation at Cheeseburn Sculpture Park (‘En-lighten: Taxus baccata’) opens to the public this weekend. Suspended in a Yew tree, this prismatic form transforms the space. Initial […]
Documenting the making of ‘Fortune Tellers’, a data driven interactive sound sculpture created for the MoCA Shanghai Pavilion – Courtesy of the AN Travel Bursary for extraordinary and inspirational research
What is my context? What is my position? These have been reoccurring questions and issues in relation to my work and how I contextualize my practice within contemporary art. I struggle to focus on what my concerns are with my […]
That physical touch and engagement that I have with materials is the driving force in my practice. This week I’ve been back in the studio playing. I started to think about how sculpture and painting coincide; and how I can […]
Site specific installation by UK-based WESSIELING set in an impressive Grade II listed Dominican Priory church, in Newcastle upon Tyne.
This past week has become very much focused on the what, how and why? What is my context? How can I achieve this? Why am I using the materials/objects in my work? I’ve been researching artists Martin Creed, Robert Morris, […]
