Cicatrix : The Scar of a Healed Wound
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Archive
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Venue:
Swindon Museum & Art Gallery -
From:
September 12, 2018 -
To:
November 30, 2018 -
Location:
South West England
Five projects from a-n members, selected from a-n’s busy Events section and including exhibitions in Bristol, London, Oxford and Sevenoaks.
In July 2017, I invited beach-goers on Aldeburgh beach, Suffolk, UK to lie still a while on light-sensitive cloth laid out on the shingle. The result was a series of full-scale cyanotypes, Still on the Beach. They were installed on the […]
A review of Re-Imagine the City, a residency exhibition at Artcore, Derby. On display until 19th August 2018. Words by Lydia Grey, Images by Artcore.
It’s so useful to have a positive exhibition deadline to work towards. It provides that crucial impetus which forces decisions that might otherwise rumble along for ages. Suddenly it is possible to visualise the work in position in the gallery and […]
In the faded splendour of Blackburn’s Cotton Exchange, amid the light pouring in from the stained glass windows, a 3.5 metre high, octagonal structure tricks the eye in the latest work by the renowned manipulator of colour and light, Liz […]
Simon Tait is the editor of Arts Industry magazine, a former arts correspondent for The Times, a critic for the London Magazine and a former president of the Critics’ Circle. Here he meets artist SaySay.Love at his exhibition ‘The Matrix of Water’.
‘Haecceity is the becoming individual from having been undifferentiated. It is something very concrete, a thickness, like a drawing, and describes a process of individuation, like when drawing.’ http://ojs-lib.tudelft.nl/index.php/footprint/article/view/748 As previously explained the concept of Haecceity stems from the philosopher […]
For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.
“A Haecceity has neither beginning nor end, origin nor destination; it is always in the middle. ” Alan, Taylor, Haecceity (he ke’ti) 1996- The University of Texas at Arlington, http:///www.uta.edu/english/apt/d&g/haeccity,html A week into my residency and the installation of […]
Over the past few weeks as my residency approached I have been revisiting the mossland locations from within the scan data. This process helps me to focus on the memory and experience of being in place and then translate this […]