International - Page 27 of 28 - a-n The Artists Information Company

Things will never be the same again (detail)
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Going the distance

Joanne Lee discusses the evolution of communication and collaboration strategies with Flasch – a group of artists working across northern European countries.

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Centro d-Arte Verrocchio
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Centro d’Arte Verrocchio

In the summer of 2001 Philip Kennedy travelled to Tuscany as a recipient of a Juliet Gomperts Memorial Trust award.

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Untitled landscape
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KAIR

The Kamiyama artist in residence programme (KAIR) was established in 1998 by local businessmen, and is supported by schools and cultural institutions, to bring creative energy to a rural community with few cultural resources. Robin Dance gives an account of his participation in the programme in 2000.

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Missile
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Toronto

Graham Ramsay reports on the artscene in Canada’s largest city.

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Suite Home Chicago
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States of education

Sophie Scott reports on her experience of the different attitudes and approaches to education initiatives in the arts in the USA.

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untitled
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Art in situ

Two years ago artist Betsy Tyler Bell invited a group of English artists to live and work in her house in southern France. Participating artist Helen Ganly, describes how last summer’s project culminated in a successful month-long exhibition.

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Notre Dame de Lorette
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Art Forum Berlin

In October I visited the Sixth Art Forum Berlin as a one of ten artists exhibiting with Edinburgh’s Collective Gallery. All the artists (Beagles and Ramsay, Paul Carter, Kate Gray, Billy McCall, Lynn Lowenstein, Kirsty Whiten, Michele Naismith and James […]

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Annlee
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The Seventh Istanbul Biennal

Once again the Istanbul Biennial opened at a time of extraordinary difficulty. In 1999 the event only just survived the city’s devastating earthquake, whilst the recent backdrop was an explosive economic crisis and the imminent war in the (uncomfortably) Near East. But, as Kevin Dent reports, from this unpromising background the biennial emerged as a triumph offering the city something to celebrate and enjoy.

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Here I am trying to find my way
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Künstlerhaus Schloss Balmoral

John Plowman profiles KÜnstlerhaus Schloss Balmoral, one of about a dozen such institutions in Germany offering residencies to international artists.

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Pony (detail)
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British School at Rome

Roxy Walsh, recipient of the Abbey Award in Painting, gives an overview of her time at the British School at Rome (BSR).

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maquette
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Gorbals masterplan launched

Glasgow’s Gorbals has over the last 100 years, for both good and bad, become engraved on world consciousness. As the third major redevelopment of the area in less than a century again changes the geographic and social profile of this […]

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Aphrodite's Rock
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British system abandoned

Cyprus College of Art – whose courses and opportunities for UK artists have been promoted through [a-n] MAGAZINE for many years – are drawing up plans to abandon the British model of art education. This constitutes a major break for […]

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installation in Princes Quay shopping centre
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Hart 2001

A new artist-initiated event took place across Hull during September. Here, David Briers explores how the event fits into the city’s existing arts infrastructure and discusses some of the national and European links it generated.

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Candlefold
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Artists in Transition

Rick Faulkner, artist and director of Chrysalis Arts, outlines the international ‘Artists in Transition’ project and how it adapted to the change in circumstances imposed by the outbreak of Foot and Mouth.

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Artists taking part in Cyfuniad
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Artists international

Cyfuniad, which took place from 26 August to 9 September, brought together twenty-three artists from all over the world to live, work and talk, providing them with the freedom to take risks, explore new avenues and discuss arts matters. Based […]

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The Tide
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Real picture show

A two-month residency by Polish artist Gosia Zylka concludes with an exhibition at artist-run Saltburn Artists’ Studios. Concerned with the ‘inner side’ of things as well as their outward appearance, the artist’s residency created an opportunity to make new work […]

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The Eye in the Stone
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Far and wide

There is a long history of placing contemporary art in remote and rural locations as a method of encouraging tourism. The sculpture trail is now an established form of presentation. Here, Victoria Bernie – an artist based in Edinburgh – describes her participation in a small-scale project in Sweden and Public Art Officer Piers Masterson gives his view on the history and public reception of a much larger project spread across northern Norway.

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Light-Proof / A Prova di Luce
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Light-Proof / A Prova di Luce

A regular visitor to Italy since 1981, when Alan Rogers moved there on a more permanent basis his “youthful, romantic love affair” with its warm Mediterranean light was soon replaced by the realisation that day-to-day conditions for contemporary artists were far from ideal.

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Kidnapping Europe
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International Ceramics Festival

In his opening speech at the International Ceramics Festival in Aberystwyth, Garth Clark, owner of the Garth Clark Gallery in New York, remarked on the way potters tend to “herd together” not, he emphasised, like distracted lemmings, but like caribou, moving with a purpose towards their goal.

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Veils of Absence
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Transcending fixed geographies…

Art has always had the ability for convergence and understanding amongst people, irrespective of language barriers. Internationalism in art is that space that transcends fixed geographies, identities and positions to create a new coherence from diverse dialogues. As an artist […]

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Landscape
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Unheimlich

Pete Clarke gives an account of his involvement in an exhibition that is part of an ongoing network of exchanges between artists from the north west of England and different European cities.

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Images from a selection of projects
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Action and theory

In the last feature in this series, the focus is on artist Anatoly Osmolovsky living and working in Moscow.

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Forbidden Path
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Researching Japan

Fiona Rutherford reports on her experience of a Crafts Council research trip to Japan and the lasting contacts she made.

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