myth - a-n The Artists Information Company

Blog Post

Painting on Aida (Part 1)

A major aim of my Contemporary Art Cross-stitch practice is to push the boundaries of what cross-stitch can be, and attempt to create new ways of working within the medium. I began to experiment with painting on cross-stitch fabric, originally […]

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Blog Post

Making Something Out Of Nothing

As in any of my practice, I hate the excuse that something can’t be done simply because I don’t have the right equipment or materials, or enough money etc. There are creative solutions to these problems if you look hard […]

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Blog Post

Stitching and Un-stitching Work

Aida can be very unforgiving if you make a mistake while sewing. Where the needle passes through the fabric it enlarges the hole, and if the sewing is then unpicked, it leaves behind a trace of where it once was. […]

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kate-walters-poster
Blog Artist

Shamanic Art Workshop

Narberth Museum in Pembrokeshire will host an exciting workshop with Kate Walters looking at Celtic Mysticism and the Mabinogion. Insights into the ways that Kate uses her Shamanic knowledge to inform her art.

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Blog Artist

Newlyn workshop with Kate Walters 22/23rd Sept. 2016

I’ve booked in to a workshop with Kate after discovering her work on FB. I feel inspired to work with other artists who have similar interests, celtic mysticism, anam cara, and being in touch with one’s inner self. The journey inwards to the universe.

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Blog Post

Week 115: 24th – 30th Nov 2014

I’ve been looking a lot at the Warburg Institute Library in relation to my project, and in particular at the Iconographic database. The Warburg Institute is part of the University of London, and “exists principally to further the study of […]

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Blog Post

Blocking the Block

I’ve been having a bit of a rant (I know! SO unlike me!) And my friend Nicki, mentioned in a previous post said I should blog it. I am no fool. I know she said this just to shut me […]

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Blog Post

Contemporary drawing, existential myth, creative research

“Myth simply displays the various and varying forms of existential field in all their profusion. It is only from the standpoint of detached, disinterested abstraction that a clear distinction between form and content can be drawn, making possible conceptual judgment. […]

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