When artist and writer Alistair Gentry first shared his experiences of depression earlier this year it resulted in a flood of private feedback and led a-n to commission a series on artists and mental health for our Resources section. Drawing on the conversations he’s had with artists and arts workers, he argues for more openness about mental illness and wellness in the arts.
Professional Development - Page 3 of 16 - a-n The Artists Information Company
I travelled to Milan last month to participate in the Letterpress Workers International Summit, an annual gathering of letterpress practitioners. It was established in 2012 by the cultural association Officina Tipografica Novepunti (tr: Novepunti Typographic Workshop) and is now an […]
At the recent Jamboree 2018 event on the Dartington Estate in Devon, the London-based German artist Rosalie Schweiker presented an improvised slide show about the difference between being a conventional ‘sausage’ artist and a hard to pigeonhole ‘mince’ artist. Here she turns that talk into a short explanation of her thinking – with added drawings of sausages, mince, and mince-based products.
So quite unbelievably I have not posted in 4 months … this is for a couple of reasons; the main one being that I severely injured my right eye in April and have only recently stopped treatment and have now […]
Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.
Following a call-out asking artists to submit their ‘preparations, patterns, neuroses, speculations, and procrastinations that surround the production of art in the studio’, the four-day Inventory of Behaviours event at Tate Modern saw these submissions turned into instructions that were carried out by volunteer artists, students and members of the public. Trevor H. Smith explores the value of the transitional space between not making and making art.
A blog chronicling participation in the Letterpress Workers International Summit 2018 in Milan, supported by a bursary from a-n The Artists Information Company.
Securing a place on the a-n Visual Arts coaching course was the nudge I needed to propel me into an area of artist development that has great meaning to me.
a-n is partnering with three Manchester-based art and design organisations to pilot a new programme of professional development sessions for artists that will take place in the city between July 2018 and March 2019.
The second a-n Assembly of 2018, taking place at Eastside Projects in Birmingham on 15 June, will explore the impact on artists, residents and arts organisations of the city’s ambitions to grow and regenerate.
Venue:Towner Art Gallery
Date:May 24, 2018 at 06:00 PM
Location:South East England
The Wiki definition of sustainability talks of a biological entities ability to ‘remain diverse and productive indefinitely.’ Having just completed my 2017 – 2018 tax return (& subsequently reviewed the previous ten years of accounting records) this notion of ‘indefinite […]
a-n’s Assembly programme of workshops, talks and networking returns with a new series of one-day events taking place in four cities around the UK. With events in Salford and Birmingham already confirmed, we take a closer look at the Assembly Salford programme which will explore how artists can maintain their presence within a city region undergoing rapid development.
Announcing the recipients of this year’s a-n Biennial Bursaries which will enable 10 a-n members to attend the opening days of the 10th Berlin Biennale for Contemporary Art in June, while a further 10 will travel to Palermo in Sicily for the preview of Manifesta 12.
Announcing the recipients of this year’s a-n Artist Bursaries which offer awards of £500-£1,000 to a-n Artist and Joint (Artist and Arts Organiser) members wishing to undertake a self-directed professional development project.
Hellooooooo (I meant to put that many “o’s” by the way and in my head sounded quite like Mrs Bucket (Bouquet), if you don’t know who that is shame on you). So I have no written for quite a while […]
Venue:10am – 4pm: Pennine Lecture Theatre, Sheffield Hallam University 4 – 6.30pm: Yorkshire Artspace
Date:February 22, 2018 at 10:00 AM
In the last of eight reviews stemming from the writer development workshop at Ikon Gallery in December, Trevor H Smith finds many questions left hanging in Edmund Clark’s exhibition, ‘In Place of Hate’. I am led down a strip-lit corridor, […]
For his review of Edmund Clark’s ‘In Place of Hate’, Martin Hamblen is struck by an absence on the inside. A walk-in, waist-high light box, constructed in the shape of a right angled capital C. On the exposed Perspex surface […]
The a-n Biennial Bursaries 2018 are now open for applications, with 20 awards of £600 available to a-n Artist and Joint (Artist and Arts Organiser) members to attend the launch of either the Berlin Biennale or Manifesta 12 in Palermo, Sicily, in June.
After four years in the role, a-n’s director Jeanie Scott is to step down later this year.
For her 600-word review following the writer development workshop at Birmingham’s Ikon Gallery, Jessica Ramm chose to write about Edmund Clark’s exhibition. For the exhibition ‘In Place of Hate’, Edmund Clark offers up the culmination of his three-year residency at […]
A video of ornamental goldfish swimming through feathery weed plays on the screen of a large box TV near the entrance to Edmund Clark’s exhibition, ‘In Place of Hate’. It reminds me of time spent watching goldfish in an aquarium […]
Following on from the writer development programme workshop at Ikon Gallery, which was led by Frieze deputy editor Amy Sherlock, Laura Davidson reviews Edmund Clark’s “refreshing utopian” exhibition, ‘In Place of Hate’. Oscar Wilde pressed flowers he found in the […]
At the third writer workshop led by Frieze deputy editor Amy Sherlock, the participants were asked to file a 600-word of one of the two current exhibitions at Ikon Gallery, Birmingham. This is Carrie Foulkes’ review Edmund Clark’s ‘In Place of […]