An exploration of professional development support needs for makers in the West Midlands has identified that as makers’ working patterns are characterised as “multi-tasking portfolio workers”.
The Secretary of State called a Public Inquiry on 17/18th October at Hackney Town Hall to determine the future of Richmond House, Richmond Road.
Here in the Netherlands, many artists take the normal route of renting houses/apartments and studios as they would in any other country.
Pallas Heights Gallery and Pallas Studios have been forced to close after serving the art and local communities for ten years in the North Inner City of Dublin.
Cell and Spike Island developments.
A rundown shop in Southwell, Nottinghamshire has been transformed into artists’ studios, workspaces and a gallery as a result of a grant of more than £100,000 from Arts Council England, East Midlands.
Pdf laserprint quality version of Future space publication [size: 310Kb]. Requires pdf reader.
Read the Future space interviews in full. These interviews formed the base material for the Future space publication.
Stephen Palmer explores the issues surrounding artists and their studios – from finances, time and work patterns and location to group set-ups and DIY options.
A small collective workspace in a converted barn in rural Lancashire.
Art Gene combines a residency programme with links with education and plays an active part in local regeneration.
TactileBOSCH is a studio group committed to experimentation, presentation and collaboration.
Valley Artists is a mix of established practitioners, recent graduates and current students.
S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.
Rodney Court is a proposed conversion of a Manchester tower block into live/work space for artists.
Out of the Blue has thrived through establishing a diversity of activities and income streams.
Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.
Nottingham Studios Consortium is an example of the ‘strength in numbers’ approach in making the case for studio provision.
Gasworks is part of an international network of independent studios around the globe.
How a partnership with their local university helped FusionARTS secure studio premises.
Temporary studios can be a useful option for creating project-specific work.
DAW adapted a successful model of an open studios event for a rural location.
CRATE successfully accessed economic development and regeneration funds to buy a building.
How education work has contributed to this studio’s success.
Paul Glinkowski looks at the UK studio landscape, highlighting successful new studio models. He also offers advice to artists wanting to set-up their own group.
