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Interface is an open space for lively debate around the busy business of showing contemporary art.

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The editor of Interface is Rosemary Shirley who is an artist and AIR member.
Read Rosemary's biog »

Interface intro C1 B1

With What's on and Reviews unedited, our platform for critical writing, Interface is a focal point around the presentation of contemporary art. Reviewer index and Venue index offer an alternate view on our archive of reviews and signpost writers and venues. Using Interface »

'Image - Mark Francis, Spatial Dimension', Acrylic on canvas, 214 x 153 cm,, 2009.  Courtesy: Courtesy Kerlin Gallery

Extended Deadline: Easter in the Lakes

A major new show of work by Mark Francis opens later this month at Abbot Hall gallery in the Lake District, we have funds to enable a writer to visit and review it, fancy spending Easter in the Lakes? Be quick Read on »

Simon Whitehead, 'Howl and Bridge', digital photograph, 02/03/2010. Photo: Ray Jacobs.

Wolf howling in Wales

Julia Dean-Richards gives her lungs a bit of exercise taking part in Simon Whitehead's Louphole performance in Newtown Read on »
This is the latest review in the series of bursaries we have been working on with Oriel Davies Gallery. The good news is we will be continuing to work together over the coming months to provide more exciting writer opportunities - watch this space.
From pigeons, to patterns, to performance the collection of reviews reveals the diversity of the programme at Oriel Davies.
Carwyn Evans: That morning he watched the dawn, by Wanda Zyborska Read on »
Awst & Walther: If only dust could speak, by Alexandria Clark Read on »
Beyond Pattern, by Christopher Collier Read on »

Critical Writing

 Interface is a place to explore and debate what it means to be critical: to sit down to write, to find a voice, to find the time, to record contemporary art practice, to make a contribution, to write in an online environment. We have commissioned a series of articles about all these things which will continue appearing on the site throughout the year.

Rachel Lois Clapham in an experimental piece explores the nature of the Interface online writing community Read on »

Joanne Lee on the joys of being an amateur: Unprofessional Development Read on »

Tim Birch on finding time: As Tick Turns to Tock Read on »

Chris Brown asks: What is Critical Writing? Read on »

Reviews unedited

Continuously growing as users add and comment on reviews. Includes a-n Magazine reviews from November 2000.
Reviews unedited »
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Tim Bowditch, 'from 'A Fleeting Innocence"'.

What's on

Listing of exhibitions and events around the UK and beyond - a-n subscribers post your own listings for FREE!
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Special articles archive

Ben Shaffer, ‘This is A Myth’, drawings and sculpture, 2008. Courtesy: Silverman Gallery.

Interface commission articles archive

Alex Hetherington on the San Francisco art scene, Feb 2009 Read on »

Lucinda Holmes on moving herself and her practice to China, Jan 2009 Read on »

Alexandria Clark on Open Dialogues at New Life, Berlin, July 2008 Read on »

Cathy Lomax’s Whitstable biennale blog, June 2008 Read on »

Kristina Johansen’s GI Festival diary, Glasgow, April 2008
Read on »

Davy Smith ‘Broadcasting loud and clear’, AV Festival, North East, March 2008 Read on »

Micheal O’Connell ‘Imperfect things’, Transmedial, Berlin, February 2008 Read on »

Theo Wood, on Emergency3, Portsmouth, Dec 2007 Read on »

Lucinda Holmes on Susan Collis, Nov 2007 Read on »

Chris Brown on What is Critical Writing?, Sept 2007 Read on »

Lisette Model

Lisette Model

By Allegra Franziska Lipanje

    In our every day life, we often walk speedily down a busy city street, eager to perform our daily routines in a particular time frame, one that doesn’t allow us to stop and observe our surroundings.  Sometimes Read on »

Model, Lisette. New York,
 c. 1940-1941.
Running Legs, 5th Avenue [Jambes de passants, 5e avenue].
Gelatin silver print.
© The Lisette Model Foundation, Inc. (1983).

Kraak

Kraak

Lost Language juxtaposes themes of loss, fear and disgust with visions of beauty, transcendence and spirituality. Cutting edge media and practice is juxtaposed with time old concepts and concerns. Lost Language raises questions about femininity and Read on »

Louise Woodcock, 'Part', acrylic, metal, sound, light, March 2009. Photo: Louise Woodcock. Installation view at Kraak Late Night Live Art event, December 2009.

Interface_Intro_C2_B1

Reviews unedited

Your open space for new critical writing about contemporary art exhibitions, performance, artists' publications and public art.

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Interface opportunities

You can now follow Interface on twitter

Paul Rooney writer bursary

Review Paul Rooney's fascinating film project at Harewood House, Leeds Read on »

John Broadley's Books

Featuring Broadley's distinctive drawings and paintings together with pages reproduced from his various book works, we have two copies to give away

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When Marina Abramovic Dies

She will leave a Marina shaped hole in the world. We have a copy of this new biography up for review

Read on »