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By: Sally Lemsford
A space to think through my latest direction-taking, to see if I am getting any clearer about my practice and if its place in the grand scheme of things on the edge or whether I am barking up the wrong tree.
Sally Lemsford is an artist-curator addressing social issues by setting up events and encounters in public spaces. She makes temporary relationships with diverse people in their own locality, inviting them to engage actively so they contribute to the direction that the process takes. - shared experiences of art as process, art as traces, art as an intervention.
Using everyday non-art formats, she sets up thinking spaces to give people the opportunity to look afresh at their own space, to consider and reflect on their everyday experiences, stories, moments in life. They may not even be aware of this as art.
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Sally Lemsford, 'Looking out there', digital image.
# 15 [9 April 2013]
Great news, I have been awarded a Review bursary!
Each month between July 2013 and January 2014, I will travel to meet one of the 7 creative professionals for a half day critiique/advice about my work as an artist, in particular how to increase my visibility nationally. My travels will take me to Glasgow, Newcastle, Lincolnshire, Birmingham, London and Bristol. It's another step in my investigation of the margins and taking risks. Thank you a-n.
Watch this space...
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Photo: Sally Lemsford. 30 women and men = part of the One Billion Rising, a global movement about the rising violence to women. 14 February 2013, Belper.
# 14 [18 February 2013]
4 months at a distant egde and now I am back. Family illness and trauma has taken its toll but I'm here again...they were murky margins to be in.
Pondering on the next step; not backwards. My expectations are different now. Sophie and I have at last found a starting point for our collaborative piece. It has changed its name yet again but that's the thing with works in progresss...marginally different.
Trying to cut out excess...margins for error?
Having the confidence to be open rather than drive all the time. Pausing has given me the chance to spot new openings...road margins team with life that is invisible at 70mph.
New conversations with unexpected outcomes...the marginalised are speaking.
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'physical margins'. Photo: Sally Lemsford. man running to his limit
# 13 [15 October 2012]
I've just spent 10 minutes composing a blog and it vanished into thin air. Gone to the margins I guess.
Here goes again. Wonder if I'll say the same things. I was talking about physical margins. I stacked 4 cubic meteres of wood to keep me warm in the winter and my son ran 8 miles to trian for a 16k race. Why do we do it? Maybe it's mental margins too? Some scientists think we make our decisions subconsciously before we are aware of them.
And I have been getting intriguing calls about edgy stuff- studio gatherings and engaged crits. Maybe the margins aren't so empty after all.
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Comments on this post
I didn't think anyone would notice my calculation was flawed.
posted on 2012-10-15 by Sally Lemsford
(well that's what he says to me anyway!!)
posted on 2012-10-15 by Sophie Cullinan
I hope so (my dear husband would probably say you can't count past 3!!)
posted on 2012-10-15 by Sophie Cullinan
Nah, I think it's half the effort for double the effect.
posted on 2012-10-15 by Sally Lemsford
It's funny though when you start writing a blog about one thing and then it becomes about something completely different - is that double the work? I hate wasted ideas.....
posted on 2012-10-15 by Sophie Cullinan
I once typed a piece for Copy in Leeds and didn't edit it at all. It had such a flow to it even with typos.
posted on 2012-10-15 by Sally Lemsford
Sally, I was attracted here by your comment on my FORMAT blog. ..... When I finish typing (even the first copy) I am different to when I started to type. Indeed, I change between each character typed. To complicate matters further, I am often in two minds as I type each character. There is often a voice in the margin whispering 'don't say it that way, say it this way'.
posted on 2012-10-15 by David Riley
that is a universal truth! Fluxus rules!
posted on 2012-10-15 by Sophie Cullinan
It's interesting when I type some thoughts for the second time without the first being present. Have I said the same thing? Have I changed my mind? I'm not the same person even a few minutes later.
posted on 2012-10-15 by Sally Lemsford
This used to happen to me ALL the time - started to copy post before trying to click post - sometime pressing 'backwards' key gets it back again.... - it's probably serendipitous or some kind of truth test though so don't mess with it!
posted on 2012-10-15 by Sophie Cullinan
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Photo: Sarah Lane. hat fitter extrordinaire
# 12 [28 September 2012]
new face to conjure
No sign of anyone recognising the shoe lady. Instead, here is another face. I was part of a festival community event and am shocked at how unreal I look. I was intrigued to hear the theory that we only exist as holograms and the real data is on the edge of black holes. Now there is an amazing margin. Not much chance of surviving that one though.
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Comments on this post
my glove work hasn't featured in this blog yet so here is fine. I like plonked stuff. Margins might have lots of stuff, a bit like high tide marks.
posted on 2012-09-30 by Sally Lemsford
Hi Sally, been scrolling though things, trying to find the best place to post, but got fed up of trying to find somewhere appropriate and thought I'd just plonk it here instead, so, nothing to do with your post above.... Have you seen Su Richardson's glove work?
posted on 2012-09-30 by Elena Thomas
I'm sure there is a Dr Who joke in there somewhere.......
posted on 2012-09-28 by Sophie Cullinan
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Sally Lemsford. head of shoe lady
# 11 [17 September 2012]
Shoe lady continued
I was gathering Acts of Kindness on Saturday in Melbourne, when I met a dark haired woman from Sheffield. 'Aha' I said, 'Were you sitting on the station wall with your shoes abandoned beside you last week?' Sadly she wasn't my shoe lady but I told her the story anyway and she may take it back to circulate Sheffield.
And now I look at the photo again, she has short hair and the Melbourne lady had long hair. Oh well, it was a good story.
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Comments on this post
have to think about that one.
posted on 2012-09-20 by Sally Lemsford
all reasonable offers considered....
posted on 2012-09-19 by Sophie Cullinan
Might need O too...
posted on 2012-09-18 by Sally Lemsford
Do you want to borrow O's deerstalker and pipe?
posted on 2012-09-18 by Sophie Cullinan
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Sally Lemsford, 'shoe lady', digital photograph, 07.09.2012. Photo: Sally Lemsford. sort of reconnected
# 10 [14 September 2012]
disembodied, re-embodied
So here is the rest, or at least some of the owner of the shoes. I disconnected her from them digitally. Staying connected at the margins is quite difficult. Choosing which connectons to maintain, which to ditch requires ongoing soul searching to make sure I don't burn my boats by letting go. Hanging on is much easier initially, until I begin to think 'this is draining me'. Not all connections are effective or meaningful connections.
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Comments on this post
Is cropping and digitally cutting off the same? I like the idea of finding her. I'll write a new blog and see if it reaches her via a-n.
posted on 2012-09-14 by Sally Lemsford
Not sure but had to re-read your post as I read it as you had digitally cut her legs off (don't think she would be too pleased!) Maybe you should start a poster campaign to find her and ask her what she thinks?
posted on 2012-09-14 by Sophie Cullinan
Wonder what said lady would think of our musings?
posted on 2012-09-14 by Sally Lemsford
Glad to hear/see the proper 'ending' - funny when you fill it in for yourself, I had a whole story going on about a bag lady with a bottle of meths round the corner - not sure what that says about my mind!!!
posted on 2012-09-14 by Sophie Cullinan
True. I liked it that I saw the images separately. Seeing this is like the punchline in a joke, the last sentence in a short story.
posted on 2012-09-14 by Jean McEwan
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Sally Lemsford, 'negotiated/un-negotiated margins', performance, 11.06.2011. Photo: unknown. artist cleaning up the Bluecoat Liverpool- negotiating a space
# 9 [13 September 2012]
the reality of MY margins
I've become aware this week that although my practice is socially engaged and negotiatiation is at the core, sometimes when something matters to me then there is no negotiation. At that point, I want to get out what exists in my head and in a way that satisfies my standard of quality. It's all part of my 'considered not contrived' mantra. That's when someone elses' quality might bother me.
Yet when I am in negotiation mode, the quality is in the conversation, the interactions, the shared experience. Perhaps that's it; if I am making something concrete to be a catalyst, then that's when I want it to be the best I can make it. Once that is achieved, the structure I have created is strong enough to underpin the event where the boundaries are quite fluid. Phew, glad I got my head round that one...
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Comments on this post
That's what makes art practice so interesting and in a way the thing that everyone sees at the end is the least important and least interesting bit. (from the artist's point of view) or maybe it's should be a culmination of all that has gone to make it and if it isn't then it is unworthy/unsuccessful - is this perhaps a judgement criteria? but how would anyone else know? (think i am confusing myself here!) off to look for personal lightbulb....
posted on 2012-09-13 by Sophie Cullinan
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Sally Lemsford, 'Empty Spaces', digital photograph, 07.08.2012. Photo: Sally Lemsford. An empty pair of shoes waiting...
# 8 [8 September 2012]
More on empty spaces
Saw this pair of shoes devoid of feet at Sheffield train station yesterday, owner nearby, though I have cropped her out to protect her anonymity. Don't expect she is an a-n reader but you never know.
If a margin is a blank space, these could be construed as margins. Makes me think I don't have to go to the ends of the world to experience the margins. They could just as well be on the end of my legs. And that's where I started this blog, dipping my toe into mainstream.
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Comments on this post
There is something so poignant about discarded shoes. They always ask for a story. I'm intrigued as to how they came to be separated from their owner.
posted on 2012-09-14 by Jean McEwan
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Sally Lemsford, 'Margin70', digital photograph, 07/02/2012. Photo: Sally Lemsford. A photograph taken without looking, in Sheffield
# 7 [7 September 2012]
I've spent several days calculating circumferences and diameters for my work at Melbourne Festival next week. No room for any margins of error as the base board has been made smaller than I anticipated. In this case, the margins divide areas; they aren't peripheral.
So in the grand scheme of things, what is the other side of the margins that I'm moving towards? Is there anything beyond? The Free Dictionary suggests it's a blank space. Not looking for blank spaces at the moment; all my spaces are full up to the brim. Is a brim a margin too?
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Sally Lemsford, 'Gender Equality', digital photograph, 19.07.2012. Photo: Sally Lemsford. public toilets, the gents seems to be bigger than the women's.
# 6 [5 September 2012]
Other margins
Watching the paralympics, I have been struck by other margins. The emphasis in the Olympics seemed to be on the fastest, the most powerful and the men's races. Why is a short race deemed to be the best? The paralympics seems to be about something different. It's still competitive but there is something else going on too. There's a wide range of abilities and ages and huge appreciation. I'd like to think then, that disabiltity issues are no longer on the margins but I know that's not always the case. And then there are gender issues......
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