Solo show of major new commissioned works
Reviews - a-n The Artists Information Company
Often polemical, the book is illustrated by a short photo-fable of black and white photographs by Aldobranti.
A prematurely-shut participatory installation by Renfrewshire-based artist Ross Fleming, which included ingredients such as Pre-Exposure Prophylaxis (PrEP), lemons, condoms, and badges in transparent goodie bags.
‘I search always for this stillness, which penetrates our fullest activity and even our sleep’ [Jim Ede] The absence of a visible kitchen at Kettle’s Yard in Cambridge is a startling omission in a house which is otherwise convincingly domestic: […]
An exhibition of 13 abstract, non-objective, geometric and reductive artists.
Exploring ideas of materiality and absence through a combination of sculpture, drawing and text.
The debut solo show of artist Dan Southward, a multidisciplinary creative currently based in Stoke-on-Trent. His practice sits somewhere between the worlds of fine art, graffiti, photography and installation.
Notes from a conversation
Paintings, print and drawings
‘Coexistence’ is a call for ‘empathy and solidarity that transcends species’ and features works that reflect on issues of humans’ relationship with nature and critique an anthropocentric worldview.
“how… do you add something that is also a subtraction, construct the irreducible, disappear and don’t… [and remain] forever incomplete?”, Martin Herbert from ‘Tell Them I Said No’, Sternberg Press, Berlin, page 92, on the artist Christopher D’Arcangelo (1955-1979) […]
A group show inspired by the museum’s seaweed collection, illuminating one of the hidden roles of women in scientific research.
Some fresh tasty vegetables [talent], a dash of hot sauce [ideas], knob of butter [agency], a glug of ageing wine [experience], a crumble of stock [collaboration]? Then there is the cooking … time, space and don’t get me started on […]
A review of Shore by Emily Scarrott
An exhibition of paintings and stone lithographs
A review of Exxxtteeenssioon by Emily Roderick & Emily Warner
Curated by Alex Billingham for Vivid Live, 2nd August 2019
Three film works by Rosalind Nashashibi: Electrical Gaza, Vivian’s Garden and Part One: Where there is a joyous mood, there a comrade will appear to share a glass of wine; Part Two: The moon nearly at the full. The team […]
A review of a year-long process of research, development and performance
‘The Collective Museum: Citizen project for a museum of collective memory’, a new exhibition from L’Atelier de l’Observatoire, a Casablanca-based contemporary art organisation at Collective is a proposal on the precariousness of individual, collective and institutional memory, the vulnerabilities of […]
‘New Magical Realism’ curated by Micha Eden Erdész Supported by the City of Munich September 7 – 30 September 2019, The Minories Galleries, Colchester School of Art, GB Fia Cielen, Anton Cotteleer, Tim Dodds, Micha Eden Erdész, Evelien Gysen, Jef […]
An exhibition exploring themes of colour, painting and abstraction:
Featuring: Louisa Chambers, Terry Shave, Sheila Ravnkilde, Ryan Heath, Carole Hawthorne, Rob Hart and Lois Gardner Sabet.
A conversation about the exhibition with Nicole Mollett and the artists Sew N Sew, Mary Hearne and Jakub Rokita.
Review of a solo exhibition by Louise Blakeway, a studio holder at General Office Gallery/Studios in Stourbridge
‘‘Genea!’, says Marauder’ a show by Richard Taylor that included video, sound, 35mm slide projection, sculpture, photography and performance.
A programme of site-responsive artworks in the spaces of B-Wing, Shepton Prison