An account of ‘Sitting on a Man’s Head’ (2018), a collaboration between Okwui Okpokwasili, Peter Born and a number of Berlin-based artists at the 10th Berlin Biennale for Contemporary Art, 2018
Reviews - a-n The Artists Information Company
During my visit to Manifesta preview I concentrated on looking into the work undertaken by the Manifesta education department. I often work on participatory projects with outreach, learning and education departments of museums, art organisations and galleries in the UK […]
Now in its 20th year, The Berlin Biennale for Contemporary Art is at a cross roads as it once again enters into a dialogue with the city. Curated by Gabi Ngcobo, with a curatorial team made up of Nomaduma Rosa […]
M2AIR host four children’s art residencies as part of #MadeInFoxhill, a community arts programme attached to regeneration of the Foxhill area of Bath.
June and July 2018
Final Group Show July 13th – 14th
The 10th Berlin Biennial takes inspiration from the interchangeability of the numeral X with the letter X, taking as its starting point the ambiguity created through multiplicity. X signifying an unknown variable in mathematics or the unsolved case within […]
An experience of ‘We Don’t Need Another Hero’, 10th Berlin Biennale for Contemporary Art. Rossanne Pellegrino was one of 10 a-n Artist members who attended the Berlin Biennale preview.
The current, high-profile, sexual predator cases are incidental to Sally Barker’s work but the resonances ring clear. Deliberately provocative and inevitable disquieting, Barker’s work challenges the viewer to consider the role assumed by some powerful men in a patriarchal society. […]
A revisited retrospective of Andrew Logan’s work in celebration of a decade since the re-launch of Ruthin Craft Centre
Is it possible to be political and still love flowers?
An interview with Alain du Pontavice ahead of his exhibition in London 19 June-1 July 2018
Threads have teamed up with six partners across East Kent to increase recognition of artist-led activity in the region. Threads have curated a nine month programme of residencies, salons and crits, involving forty eight selected Artists.
With two solo exhibitions taking place at AIR Gallery right now it has a significantly busy programming schedule. With a focus on emerging and early career artists AIR offers a much-needed resource for these artists in the North West.
Trevor H. Smith, one of eight a-n members selected for the a-n Writer Development Programme 2017-18, reviews the GI group show ‘Second Nature’ and Glasgow-based artist Sarah Forrest’s short film, Again, it objects.
Simon Tait is the editor of Arts Industry magazine, a former arts correspondent for The Times, a critic for the London Magazine and a former president of the Critics’ Circle. Here he meets artist SaySay.Love at his exhibition ‘The Matrix of Water’.
Solo show curated by ‘Departure Lounge for ‘As You Change So Do I’
Cornelius Quabeck’s review of Ally Wallace’s solo show at the Pathfoot Building, University of Stirling, 2017.
. ‘Document’ follows six East Midlands-based artists: Andrew Bracey; Geoff Diego Litherland; Jessica Harby; Kajal Nisha Patel; Tim Shore and Tracey Kershaw to capture their activities and experiences over three years.
Laura Davidson, one of eight a-n members selected for the a-n Writer Development Programme, reviews two Glasgow International exhibitions that foreground the importance of marginalised histories in our current discussions about race, class and gender.
The 80-year-old Spanish artist Esther Ferrer presented two performances during this year’s Glasgow International. Artist and writer Jessica Ramm, one of eight a-n members selected for the a-n Writer Development Programme 2017-18, was at The Pearce Institute in Govan for the MINIMAL/POOR/PRESENT event.
Rachel Magdeburg, one of eight a-n members selected for the a-n Writer Development Programme 2017-18, reviews Glasgow-based artist Michelle Hannah’s multifaceted and dramatic installation at The Savings Bank, presented as part of Glasgow International 2018.
Kim Anno Exhibition Review
Helen Kincaid … delayed rays of a star …
26 April – 19 May 2018
KALEIDOSCOPE: Colour and Sequence in 1960s British Art looks at the radical changes that took place in British abstract art during the 1960s, with the use of industrial materials and vivid colour. It focuses especially on the growing cross-fertilization between […]
Why Marvin Gaye Chetwynd make me feel happy
While all the other writers chose to review the Edmund Clark exhibition at Ikon Gallery, Rachel Magdeburg decided to focus her 600-word piece on an exhibition of works by the 19th century convict artist Thomas Bock.
This is her review.