A review of an “augmented soundwalk” experienced in Bristol city centre at 7pm on 27th October.
Reviews - a-n The Artists Information Company
Prospecting: new directions and territories for artists’ practice
Symposium held on 1st November 2018.
A response to Anne-Mie Melis’ SLOW LANDSCAPE exhibition at ArcadeCardiff
American painter looks at his favourite artists. Never has writing about the great artists been so concise, so precise, and so insightful.
A short reaction to Christian Marclay’s ‘The Clock’ on show at Tate Modern, London, 14 September 2018 – 20 January 2019.
Artists talk about their lives and careers in the art world
The first major show of Patrick Heron’s work for 20 years has toured from Tate St Ives to Turner Contemporary, where it’s joined by previously unseen work
The full review of the parallel shows, ‘Systems of Philosophy – Wall(paper)s of Mind’ (Annett) which look at the role of ‘paper’ in the contexts of international ‘soft power’ and encryption technology. Supported by Arts Council England.
The work tours to France in December.
A review of Alex Billingham’s Ashes To Ashes.
“Salons of the same quality as we witnessed on 20th April 2018 in Margate are the reason why these gatherings of restless creative minds generate so much energy and collective knowledge.”
Newspaper coverage of my art exhibition August/September 2018
Text-based art from the Golden Age of 1960s conceptual art comes to Cambridge
Taking the outdoor shoes off, dusting off the photo album, the ogling guests and that jarring Uncle – finding the familiar at the 10th Berlin Biennale.
A review of exhibition ‘An Undertaking’ at St Chad’s, Shrewsbury
Written by *Mélissa Evans
REVIEW BY CLAIRE HARPER
A course for anyone interested in pushing a predominantly 2D practice into 3D in order to observe the impact this has on your thinking / research
On some encounters with defamatory portraiture and miraculous microclimates.
Weeds in the cracks Manifesta12, Palermo, 2018 The planetary Garden is a concept planted in the world by the French philosopher and gardener Gilles Clement. It is this idea that took root with me during my visit to Maifesta12 in […]
Performative walk exploring the power of smell.
A review of Re-Imagine the City, a residency exhibition at Artcore, Derby. On display until 19th August 2018. Words by Lydia Grey, Images by Artcore.
Review of GSA 2018 MFA Degree Show, first published in Art Review Glasgow, Issue 3
In 2016 I attended a creative clinic led by curator and collaborator Annette Moloney. Within 10 minutes, Moloney was quoting Radiohead, and with good humour: You do it to yourself, you do… And that’s why it really hurts. […]
The tenth Berlin Biennale, titled ‘We Don’t Need Another Hero’, “…proposes a plan on how to face a collective madness; it offers a platform for collective dreaming and for action.”[i] In place of a direct curatorial theme or framework, curator […]
I applied to for a bursary to visit Manifesta 12 partly out of interests for its core themes of migration, and space/place as politically charged, especially as sites of repression, which I explored in my own work (Ghost House, Disciplinary […]
An account of ‘Sitting on a Man’s Head’ (2018), a collaboration between Okwui Okpokwasili, Peter Born and a number of Berlin-based artists at the 10th Berlin Biennale for Contemporary Art, 2018