Kim Anno Exhibition Review
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Kim Anno Exhibition Review
Helen Kincaid … delayed rays of a star …
26 April – 19 May 2018
KALEIDOSCOPE: Colour and Sequence in 1960s British Art looks at the radical changes that took place in British abstract art during the 1960s, with the use of industrial materials and vivid colour. It focuses especially on the growing cross-fertilization between […]
Why Marvin Gaye Chetwynd make me feel happy
While all the other writers chose to review the Edmund Clark exhibition at Ikon Gallery, Rachel Magdeburg decided to focus her 600-word piece on an exhibition of works by the 19th century convict artist Thomas Bock.
This is her review.
For her 600-word review following the writer development workshop at Birmingham’s Ikon Gallery, Jessica Ramm chose to write about Edmund Clark’s exhibition.
The Latin American House was full for the night. A mixture of Mexicans, Venezuelans, Colombians, Chileans, Argentinians, Britons and more filled the atmosphere with loud conversations heard in Spanish and English simultaneously. It was the first event of the Latinos […]
A critical review of SLOW COOKER PT IV
International, collaborative, and generative artists’ project
Somerset Art Works invited London based writer/curator Angela Kingston to review ‘In The Air’, a sound installation created by artist David Ward for Somerset Art Weeks 2017.
The new Camberwell Space inaugural exhibition A History of Drawing on the practice and teaching of drawing at the College for over 80 years.
A year long developmental project by artist Felicity Truscott supported by the National Lottery with a Grant for the Arts through Arts Council England.
A review of The New Zealand Pavilion at the Venice Biennale Arte 2017.
‘Fire and Ice’, on show at the UK’s award-winning art space for art + environment, explores nature, light and power, raising questions about energy use, over-use and climate change.
To my right as I enter the exhibition is a large dark brown-coloured rectangular object fixed to the wall. My eye is drawn to white bow-tie shapes that float-hover-drift on a grey surface, offshore of a nasal-peninsula-chef’s head emerging from […]
Simon Lee Dicker works with and within nature, to produce work that unravels the stories we attach to place and time, and the emotional weight that we impart upon them. Dicker’s practice has spoken about a distance between humanity and […]
All is not as it first appears to be as Xu Zhen converts the shop at Sadie Coles Gallery into a functional Chinese supermarket.
Painting on Lace – The great power of lace inspired Fred Fabre’s exploration of the sensuality of iconic fashion accessories.
Novellist Penny Hancock reviews Victoria Rance: The Night Horse and The Holy Baboon Sculptures, Drawings, Photographs and Animations 2007-2017 at The Cello Factory 23-30 October 2017
Book Launch and Print Exhibition
30 October – 2 November 2017
Frieze London Art Fair, love it or hate it, energises the city in a way no other annual event achieves to do so. On a global scale, the movers and shakers descend into town for their annual pilgrimage. This year […]
2 August to 24 September, 2017
I first published this review as part of my blog https://loosespace.wordpress.com/
Emily Peasgood is one of the 2017 Folkestone Triennial commissioned artists. She’s created ‘Halfway to Heaven’, an acoustic piece drawing on both geological and cultural divides, neatly fitting this year’s theme ‘Double Edge’. Peasgood discusses her work with Jillian Knipe.
Perhaps I’m unusual as a visual artist but when I visit exhibitions I crave words; and usually I’m frustrated by their absence.
Marking 10 years since Northern Rock experienced a bank run, I dispensed an edition of 200 hand printed ‘bank notes’ from a free standing cash machine.