Reviews - a-n The Artists Information Company

Emily Peasgood, Halfway to Heaven, commissioned by the Creative Foundation for Folkestone Triennial 2017, image by Thierry Bal.
Review

Q & A with Emily Peasgood

Emily Peasgood is one of the 2017 Folkestone Triennial commissioned artists. She’s created ‘Halfway to Heaven’, an acoustic piece drawing on both geological and cultural divides, neatly fitting this year’s theme ‘Double Edge’. Peasgood discusses her work with Jillian Knipe.

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stephaniesmart.net
Review

Artist = Philosopher

Perhaps I’m unusual as a visual artist but when I visit exhibitions I crave words; and usually I’m frustrated by their absence.

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DP P 587 PR, DP 588 PR by David Schutter
Review

Parasitical glimpses in Münster and Kassel

A review of Münster Skulptur Projekte and documenta 14, Kassel, with a focus on five artists, through the lens of the parasitical use of other artist’s work within the contemporary artist’s work.

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Review

In The Light of Surrealism#2

Curated by Jo Welsh.
Tony Penrose, Kathleen Fox, Jane Hoodless, Jo Redpath, Jo Welsh, Katherine Reekie, Tim Riddihough and Jacob Welsh, Brian Catling RA, Mick Rooney RA, and Gus Cummins RA reveal the influence of Surrealism in their work.
A mix of local artists and RA members.

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Review

Aalto Natives

What is the point of a national pavilion? This is the question that sticks in my mind whenever I’m at the Venice Biennale. Most specifically in the Giardini, but to greater and lesser extents throughout all the 86 national participants […]

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Courtesy of artist/Documenta14 roommate; Sam Venables 
(Instagram: @sam.venables)
Review

On the tools; Documenta14

a-n Documenta14 bursary awardee Mat Do talks about his experiences of the Kassel portion of Documenta14

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Charlie Lang
Review

Signal to Noise

Curated by Charley Peters, Signal to Noise subtly reveals a multitude of relationships between the artists, which oscillate on a spectrum between collusion and tenuous connections.

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Maret Anne Sara "Pile o’ Sapmi"
Review

Documenta 2017: across cultures

I spent two full days at this year’s Documenta as part of the AN bursary scheme. Amongst the grand set pieces in the main venues I found some of the “quieter” artworks in side rooms to be equally if not […]

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Hannah McKinlay, 17mm3 (Silence is Golden), 2017, silver, 9 carat gold plate
Review

Punctuated3

Punctuated3 is an exhibition by students from the University of Lincoln’s MA Fine Art programme – a kind of test run for their upcoming final show and a crucial opportunity to extend their professional practice within the confines of city’s […]

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