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Katriona Beales, Are We All Addicts Now?, installation view, Furtherfield Gallery, London. Photo: Pau Ros; Courtesy: the artist and Furtherfield
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Ethics, art and technology: the need for a human-centred approach

At a recent symposium in London, academics, technologists, artists and film makers gathered to discuss the politics and ethics of art technology. Artist and writer Alistair Gentry attended and was struck by the need for a much closer relationship between the tech and ethical tendencies in this ongoing and vitally important debate.

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Taus Makhacheva. Photo: Aleksandr Vainstein / Eto Kavkaz
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A Q&A with… Taus Makhacheva, video artist and Venice hit

Working with fifth generation tightrope walker Rasul Abakarov within the vast landscape of Dagestan, artist Taus Makhacheva’s film Tightrope has been lauded by critics following its exhibition at the Venice Biennale. Pippa Koszerek talks to the artist about the processes and risks involved in her work.

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Rachel Whiteread Chicken Shed 2017. Courtesy the artist © Rachel Whiteread. Photo: Courtesy Tate photography
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NOW SHOWING #214: The week’s top exhibitions

A selection of exhibition highlights for the week ahead including a survey of Rachel Whiteread’s career to date at Tate Britain, one of Antony Gormley’s Another Time sculptures at Turner Contemporary in Margate, and an examination of US cultural symbolism by photographer Alexander Missen in Leigh-on-Sea.

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Protestors outside Inverleith House, Royal Botanic Garden Edinburgh, on 23 October 2016. Photo: Chris Sharratt
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Ugly rumours: why Edinburgh’s Inverleith House has yet to be ‘saved’

When Inverleith House closed to the public last year, Royal Botanic Garden Edinburgh said it no longer intended to use it as a gallery for contemporary art. Now, as it hosts its first exhibition since the closure, Regius Keeper Simon Milne has said reports of its demise were just a “rumour”. Neil Cooper takes issue with this rewriting of history and cautions that the fight to truly save this renowned Scottish art gallery is far from over.

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Richard Woods, Holiday Home. Commissioned by the Creative Foundation for Folkestone Triennial 2017. Photo: Thierry Bal
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A Q&A with… Richard Woods, Folkestone Triennial artist

For the Folkestone Triennial, London-based artist Richard Woods has created a series of six cartoon bungalows around the Kent coastal town, each painted in different vibrant colours and placed in improbable settings. He explains why to Fisun Güner.

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