News feature - a-n The Artists Information Company

Fiona MacDonald, The Worker’s Reverie, 2017, video still. Courtesy: artist
News News feature

Blogger Q&A: Fiona MacDonald, Feral Practice

Artist Fiona MacDonald’s Feral Practice is an established mode of visual art production that acts as a conduit between human and non-human interaction. From the sonification of mushrooms to the filming of wood ants, her practice is wide ranging. Richard Taylor finds out more.

0 0
Onyeka Igwe. Courtesy: the artist
News News feature

A Q&A with… Onyeka Igwe, artist filmmaker exploring resistance to colonialism

London-based artist Onyeka Igwe has mined colonial-era archives for three new films inspired by all-women protests against British rule in west Africa, currently showing together in the solo exhibition ‘No Dance, No Palaver’, in Hawick, Scotland. She discusses the spectre of the ‘colonial gaze’ and the ethics of archive research with Sonya Dyer.

0 0
Michael Dean, 'Having you on' installation view, Baltic Centre for Contemporary Art, Gateshead.
Photo: Jonty Wilde;
© 2018 Baltic and Jonty Wilde
News News feature

A Q&A with… Michael Dean, sculptor

The Newcastle-born artist’s current exhibition at Baltic in Gateshead consists of a labyrinthine sculptural installation that is visually arresting and teeming with narrative. Fisun Güner talks to the 2018 Hepworth Sculpture Prize nominee about making work that reflects life outside the art world’s “pool of middle-class light”.

0 0
Scything competition. Photo: S Damant
News News feature

Blogger Q&A: Jeremy Hastings, peripatetic artist

From community projects to land work, Jeremy Hastings has used his many travels and itinerant lifestyle to share skills and learn from landscapes to create painting and photography. Richard Taylor finds out more.

0 0
An invitation to Travel 2017
 - Journey Flag.
Created from the shape of people’s journeys to St. Ives and hoisted above the market Square to mark the info point for the walk.
Image Credit - Jason Archontides
News News feature

A Q&A with… Sally Stenton, Artists Access to Art Colleges placement artist

Between October 2017 and April 2018 Sally Stenton spent time at Anglia Ruskin University, using its facilities and developing a conceptual work that connected the university’s art and science departments. With applications now open for the 20th year of AA2A placements, Pippa Koszerek catches up with the artist to discuss her residency and its impact on her ongoing practice.

0 0
Matthew Krishanu with Weapons, 2018. Photo: Peter Mallet
News News feature

A Q&A with… Matthew Krishanu, painter

The Bradford-born artist’s current exhibition ‘The Sun Never Sets’ at Huddersfield Art Gallery draws on his childhood memories of living in Bangladesh while also exploring the impact and legacy of colonialism. Fellow painter Narbi Price asks the questions.

0 1
Ali Harwood, Kids That Fly. Independents Biennial 2018 at St John’s Market. Photo: Tony Knox
News News feature

Independents Biennial 2018: giving artists what they want

Running parallel to the Liverpool Biennial since its inception in 1999, the peer-led Independents Biennial is currently managed by Art In Liverpool, and aims to cast a fresh perspective on how we see, make and use art in Merseyside. Laura Robertson reflects on how the 2018 festival is highlighting local and national political issues such as regeneration and homelessness.

0 1
Christine Borland, The China Harvest, 2018. Image Keith Hunter
News News feature

A Q&A with… Christine Borland

Christine Borland’s current show ‘to The Power of Twelve’ looks at the history of Mount Stuart, a neo-gothic country mansion on the island of Bute, during the first world war when it was used as a naval hospital. She talks to Jessica Ramm about the project which sees her return to Mount Stuart fifteen years on from her first exhibition at the Grade A listed house.

0 0
Agnès  Varda, 3  moving  images. 3  rhythms. 3  sounds,  2018. Installation  view  at  FACT as part of Liverpool  Biennial  2018 ‘Beautiful  world,  where  are  you?’ Photo: Thierry  Bal
News News feature

Liverpool Biennial 2018: “don’t believe in separated worlds”

The tenth edition of the Liverpool Biennial has just opened with its theme ‘Beautiful world, where are you?’ offered as a chance to reflect upon global uncertainty and change. Bob Dickinson reports from the opening weekend when, amid news of Trump’s visit to the UK and the protracted Brexit negotiations, the notion of a world in social, political and economic turmoil seemed especially pertinent.

0 0
A Lexicon of Paisley, Leonora Hamil, The Woven Garden, Le Bois des Moutiers, diep-haven 2018. Courtesy: diep-haven 2018
News News feature

Cross-Channel collaboration: the diep~haven festival and its post-Brexit future

Founded in 2014 and inspired by the busy schedule of the Newhaven–Dieppe ferry, the diep~haven project sees artists exhibiting across Normandy and East Sussex as well as the ferry itself. As this year’s festival launches, Dany Louise talks cross-Channel collaboration and life after Brexit with the projects creators and artists.

0 0
John Water, artist. Courtesy: CGP Gallery and the artist
News News feature

A Q&A with… John Walter, an artist going viral

For his exhibition, ‘CAPSID’, John Walter draws on his time as resident artist of infection at UCL where he collaborated with structural virologist Professor Greg Towers. Lydia Ashman finds out how his focus on a protein shell that enables the rapid transmission of viruses has resulted in a riotous, playful mix of film, painting, collage and installation.

0 0
In Kind opening, CCA, Glasgow, April 2018. Courtesy: In Kind
News News feature

In Kind and out of pocket: the hidden costs of artists working for free

During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.

0 0
Forensic Architecture, 
The Ayotzinapa Case:
A Cartography of Violence. https://www.forensic-architecture.org/case/ayotzinapa/
News News feature

A Q&A with… Simone Rowat, Forensic Architecture

Nominated for the 2018 Turner Prize and a recent recipient of the European Culture Foundation’s Princess Margriet Award for Culture, the London-based independent research agency Forensic Architecture is making political and cultural waves with its evidence-based work. Chris Sharratt talks to artist and filmmaker Simone Rowat, one of the group’s 15 team members.

0 0
Opening night on Rue du Chevalier Roze during Printemps De L’Art Contemporain 2018, Marseille. Photo: Emilio Guzmán
News News feature

International Report: Printemps De L’Art Contemporain 2018 festival, Marseille

The 10th edition of the annual Printemps De L’Art Contemporain festival in Marseille coordinates exhibitions by more than 45 venues across France’s second city and includes a strand on artists from Glasgow, with which the city is twinned. Chris Sharratt reports from the port city that is prioritising contemporary art as it prepares to host Manifesta in two years time.

0 0