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Pivotal moments for ‘mid-career’ artists: “We’re reaching a bit of a crisis moment – who are we doing this all for?”

At the conference ‘Pivotal Moments: Professional Development Models for Mid-Career Artists’, staged by London Creative Network (LCN) in association with a-n, participants including artists Keith Piper and Erica Scourti, and Wysing director Donna Lynas discussed career development and the importance of institutional support for artists. Lydia Ashman reports.

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Seen but not heard: artist activism and the ‘Hope to Nope’ exhibition

The recent ‘Hope to Nope’ exhibition at The Design Museum ended in controversy earlier this month when artists and designers removed their work in protest at the museum hosting a private hire event by an arms manufacturer. One of those activist groups to remove their work was the artist-run organisation Keep It Complex, who share here what they learned from the experience.

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Artists and mental health: a conversation that needs to get louder

When artist and writer Alistair Gentry first shared his experiences of depression earlier this year it resulted in a flood of private feedback and led a-n to commission a series on artists and mental health for our Resources section. Drawing on the conversations he’s had with artists and arts workers, he argues for more openness about mental illness and wellness in the arts.

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More mince, less sausage: making art that doesn’t look like art

At the recent Jamboree 2018 event on the Dartington Estate in Devon, the London-based German artist Rosalie Schweiker presented an improvised slide show about the difference between being a conventional ‘sausage’ artist and a hard to pigeonhole ‘mince’ artist. Here she turns that talk into a short explanation of her thinking – with added drawings of sausages, mince, and mince-based products.

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Seven things that Jamboree 2018 taught us, including the difference between ‘Mince’ and ‘Sausage’ artists

Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.

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Inventory of Behaviours: finding value in the things artists do when not making artworks

Following a call-out asking artists to submit their ‘preparations, patterns, neuroses, speculations, and procrastinations that surround the production of art in the studio’, the four-day Inventory of Behaviours event at Tate Modern saw these submissions turned into instructions that were carried out by volunteer artists, students and members of the public. Trevor H. Smith explores the value of the transitional space between not making and making art.

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