Artist - a-n The Artists Information Company

Cathy Wade, July 2018.

A pen and some paper.
This is day 200 of my 2018 drawing a day – a visual diary.

Journeying and progressing

On some encounters with defamatory portraiture and miraculous microclimates.

Snaps, words and thoughts processing a visit to Manifesta 12 in Palermo, Sicily, supported by an a-n bursary.

The 10th Berlin Biennale for Contemporary Art, titled We don’t need another hero after the Tina Turner song, puts itself forward as “…a conversation with artists and contributors who think and act beyond art as they confront the incessant anxieties […]

“It is a waste of time hating a mirror or its reflection instead of stopping the hand that makes glass with distortions slight enough to pass unnoticed until one day you peer into your face under a merciless white light […]

Reflections on the opening of Manifesta 12, supported by an a-n Biennial Bursary.

Alongside to ‘Niolam Ja Se Kochaneczke’ (2016) video – that I wrote about in the previous blog post – I also have been developing series of collages deconstructing and re-defying how women and love have been represented in Eastern European […]

The March of the Artists will see three artists; a theatre maker, Eve Robertson, a photographer, John-Paul Brown, and me, Lauren Sagar, a visual artist, walking the 250 miles from Manchester to London over 26 days, starting on 29th July […]

‘Fence Posts’
A photographic journey around my field.

Meanderings through art and philosophy, practice and research interwoven

Titled ‘The Planetary Garden: Cultivating Coexistence’, Manifesta 12, the roving European art biennial, explores ideas around how life forms meet and adapt to coexist, while also aiming to put down roots in its host city of Palermo, Sicily – but who is doing the ground work?

The A-N bursary will enable me to undertake a confectionery short course, where I will acquire the skills to explore sugar as a sculptural and edible material in relation to the female body and embodiment.

I travelled to Longyearbyen, Svalbard, for a three-week research and development residency.

How and why I do what I do in paint and in drawing.

A Technical Report on Drawing as Octochronoplasmantic Evidence || Meta-Neuronic Design for Impossible Theatres

I am an artist and curator based in Brighton. http://caitlinheffernan.co.uk