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Conference delegates. Photography: Lydia CS

L-R – Anna Galkina (artist), Dave Beech (Valad Art Academy, Gothenburg, UAL & Freee Art Collective), Bryan Biggs (Artistic Director, Bluecoat, Liverpool). Photography: Lydia CS

James Ensor, The Intrigue, 1890, Oil on canvas, 90 x 149 cm, Antwerp, Koninklijk Museum voor Schone Kunsten. Photo: KMSKA (c) www.lukasweb.be - Art in Flanders vzw. Photography: Hugo Maertens / (c) DACS 2016

Installation view of Hyundai Commission 2016: Philippe Parreno: Anywhen, 2016 Photo: Tate Photography

Helen Marten, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Pierre Huyghe, Cambrian Explosion, 2014. Live marine ecosystem. Photo: Stefan Altenburger Photography Zürich

Josephine Pryde, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Josephine Pryde, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Helen Marten, Turner Prize 2016, Tate Britain. Photo: Joe Humphrys © Tate Photography

Helen Marten, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Anthea Hamilton, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Anthea Hamilton, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Michael Dean, Turner Prize 2016, Tate Britain. Michael Dean, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Michael Dean, Turner Prize 2016, Tate Britain. Courtesy Joe Humphrys © Tate Photography

Pio Abad, 'Notes on Decomposition', 2016, CCA, Glasgow. Photo: Alan Dimmick

Pio Abad, 'Notes on Decomposition', 2016, CCA, Glasgow. Photo: Alan Dimmick

Pio Abad, Not a Shield but a Weapon, 2016, 'Notes on Decomposition', CCA, Glasgow. Photo: Alan Dimmick

Pio Abad, Study for a Flag, 2016, 'Notes on Decomposition', CCA, Glasgow. Photo: Alan Dimmick

Photography by Gideon Mendell at 'Points of Departure' exhibition, Estuary 2016 festival. Photo: Benedict Johnson

Wolfgang Buttress, Bee Cello. Photo: Wolfgang Buttress Studio

Hive at Kew. Photo: Royal Botanic Gardens Kew

Julie Umerle. Photography © Brian Benson, 2016

Installation view of Between Object and Architecture. Photo: courtesy Tate Photography

Roni Horn, Pink Tons, 2009, Glass, 1100 x 1200 x 1200 mm, 4514 kg. Purchased with funds provided by Tate Americas Foundation, the North American Acquisitions Committee, the Art Fund, Tate Members, Tate Patrons, the artist and with additional assistance from Dominque Levy in honor of Dorothy Berwin 2016 © Roni Horn, courtesy Hauser & Wirth, London Photo: Tate Photography