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Mark Wilsher talks about combining the roles of artist and curator in his own practice.

Rachel Garfield explains how a desire to critique dominant models of the mainstream informs her curatorial practice.

Shezad Dawood discusses how he see curation as an opportunity to explore the interplay between his own work and that of other artists.

Simon Tegala tells how he needs to adopt many different roles to realise the production of his curatorial projects.

The Centre of Attention (Pierre Coinde and Gary O’Dwyer) reveal their approach to ‘participatory curating’.

David A Bailey talks about how his socially-informed work has led him to curate projects that set it within a wider (art) historical context.

Erica Tan describes her career as requiring her to undertake different roles, of which ‘artist’ and ‘curator’ are only two of many.

Gavin Wade talks about his role as a ‘professional curator’ working outside of an institution.

Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.

Anne Bean argues that ‘artists who curate’ should lead their own agenda.