In some of my work – past and present i have to make a lot of compromises and use my imagination to create a coherent and relevant work that aims to not only satisfy my own view but also a […]
Comings and goings amongst arts professionals and curators, designed to aid networking and collaboration.
Arc, The Vaults, Birmingham
24 May 2010
Antony Gormley’s One and Other commission for the Fourth Plinth last year, and more recently Michael Landy’s Art Bin project at South London Gallery both suggest the emergence of a new form of artwork that has the capacity to engage mass audiences directly.
Bath Artist Studios, Bath
3 – 13 October 2009
I found last night’s “Where is Modern Art Now?”, on the BBC, heartening. Gus Casely-Hayford (GC-H) explored the position of the current art scene during the recession and post YBA celebrity bling. He asked: ‘Where do you go when being […]
66 Corporation Street (opposite McDonalds), Corby
18 September – 17 October
An overview of curatorial practice, highlights profiles and other resources on this topic.
Beyond the curatorial work established by and presented from within art museums and galleries, a plethora of curatorial organisations operate in order to support and develop the practice of curating. This tour, by Charlotte Frost, examines some of the different remits addressed by curatorial organisations, providing an initial orientation in their hugely diverse activities.
Artist David Macintosh takes a personal look at collaborative working.
Opportunities round-up.
Commissioned by Creative Partnerships London East and curated by Manick Govinda, Artsadmin, Art for Whose Sake? looked at ways in which contemporary art, performance and live art practices engage young people, within and outside formal systems of learning. Invited speakers […]
Paul Glinkowski talks to artist Jem Finer about his ongoing project Longplayer, and to his collaborator James Lingwood, Co-Director of Artangel.
Rhodes + Mann, London
24 July – 14 September
Hailed as one of the country’s premier art prizes, ‘Beck’s Futures’ announced the outcome of the 2003 award in April. From a glittering shortlist, Rosalind Nashabishi was selected by curators Russell Ferguson, Maria Lind, Hans Ulrich Obrist and artist Michael […]
