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Heather Rigg reports on a professional development scheme in Suffolk that provides a package of support for artists in that region.

“Imagine an ecological city, where communities are based on voluntary cooperation not competition, mutual aid not private profit, cultural diversity not globalised monoculture, permaculture not consumer culture”.¹

Brigid Howarth investigates ways in which artists are making work and collaborating with industry.

Malcolm Dickson highlights the issues around the future needs of artists’ organisations in Scotland.

Angharad Pearce Jones, an artist currently working with Cywaith Cymru.Artworks Wales explains how the organisation works to promote art in the public realm.

Brigid Howarth takes a look at artists’ communities in the USA.

Advice for photographic and digital image-makers on promoting your work in an expanding environment.

Window Sills is neither public art nor community art. It uses collaborative strategies that draw on and sit between a number of artistic practices taking its lead from ‘New Genre Public Art’ – a term used by American artist Suzanne Lacy – which incorporates activist arts, site-specific art, performance art and happenings. The project is also aligned to ideas about art and context developed in universities in the UK.

Artist/writer Emma Safe examines the role of community arts in urban regeneration and in creating social cohesion.

Gareth Mason reports on a two-day event organised by Taslim Martin within his residency at South Hill Park Arts Centre, Bracknell that explored how the skills of studio practice can be applied to public-sited work.