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Art Gene
Art Gene combines a residency programme with links with education and plays an active part in local regeneration.
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Rodney Court project
Rodney Court is a proposed conversion of a Manchester tower block into live/work space for artists.
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S1 Artspace
S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.
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tactileBOSCH
TactileBOSCH is a studio group committed to experimentation, presentation and collaboration.
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Valley Artists
Valley Artists is a mix of established practitioners, recent graduates and current students.
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Out of the Blue
Out of the Blue has thrived through establishing a diversity of activities and income streams.
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Dorset Art Weeks (DAW)
DAW adapted a successful model of an open studios event for a rural location.
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Furtherafield
Temporary studios can be a useful option for creating project-specific work.
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FusionARTS
How a partnership with their local university helped FusionARTS secure studio premises.
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Tales of two cities: South Africa
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
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Bow Arts Trust
How education work has contributed to this studio’s success.
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CRATE
CRATE successfully accessed economic development and regeneration funds to buy a building.
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Mathieu Beausejour: Three Internationales
Triangle Gallery, SPACE Studios, London
15 January – 15 February
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Quo Vadis: Critical contexts
Dominic Thomas on the importance of a critical context for artists’ practice. One of a specially commissioned set of articles resulting from Quo Vadis available now on www.a-n.co.uk.
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Quo Vadis: Surfing the bore
Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.
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Quo Vadis: Cultural traffic
Philip Babot on the cross-border and international achievements of artists’ organisations in South Wales.
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Quo Vadis: The quo vadis tardis
Sarah Jane Pell with an Australian perspective on the impact of this ‘jam-packed’ weekend.
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News archive
C5 prizewinners
Penny Klepuszewska, a 2003 graduate from Nottingham Trent University and Chris Boyd, a Manchester Metropolitan University second-year interactive arts student were joint winners of the UK Art Prize 2004, that attracted over 40,000 entries and created ten finalists. They shared […]
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Working practice
A survey of artists’ studio groups and organisations in England
The first survey of its kind, intended to provide the beginning of a national register of artists’ studio groups and organisations.
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International residencies
Established in 1988, London-based Delfina Studio Trust provides the largest international residency programme in the UK. Of thirty studios, twelve are allocated as an award that provides artists with studio space and related facilities free of charge for one or […]
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Art work
Artist’s jobs and opportunities 1989-2003
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Curating now
Gordon Dalton reports on the Curating Now symposium at the Irish Museum of Modern Art hoping to find the future of curating in museums.
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Gold rush
Projects and collaborations rarely spring into existence fully formed. Hilary Williams examines a short project that developed into a major programme, led to the setting up of a new arts business, and to jeweller Mah Rana uncovering new tracts of material and experience.
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Market for sales explored
Extensive research last year by Morris Hargreaves McIntyre revealed an extensive but as yet untapped market for art sales in England. However, by exploring notions of who and what ‘legitimises’ contemporary visual arts, Taste buds: how to cultivate the art […]
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Losing it in translation
A recent spate of public utterances by influential policy makers and educators suggests that the visual arts may need to develop a more favourable relationship with language. Some argue that it should be better harnessed to support artists; others think language should just back off and let the visual reclaim its rightful place. Paul Glinkowski interprets.