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Studio-based artists have been made vulnerable by the recent property boom as run-down former industrial buildings attract developers with an eye for a lucrative conversion. Some studio providers though, have managed to stay put and in some cases have moved on to better premises. Paul Glinkowski offers this progress report on artist-led studios projects in Leeds and in Stroud.

Paul Glinkowski looks at the experiences of John Keane and Frauke Eigen, artists who have worked in war-torn locations outside of official state sponsored programmes, and talks to Dominic Nutt of Christian Aid who worked with Keane in Israel and Palestine.

International fairs are a great opportunity for researching galleries and making contacts, here is a selection of just some of the 150 showing at this year’s Frieze Art Fair.

Paul Stone examines some of the issues arising from the a-n event in June.

Sally O’Reilly talks to Penny Johnson, Director of the Government Art Collection, in the sixth and final article in the ‘Crossing Over’ series.

Giles Sutherland looks at the relationship between glass artist Keiko Mukaide and Edinburgh College of Art.

John Beagles comments on the increased presence of artist-run initiatives at this year’s Glasgow Art Fair.

Gillian Nicol reports on Montreal’s vibrant artist-run sector.

Julie Brook gives a personal account of her involvement in the Comhla International Artists Workshop in North Uist.

Michelle Cotton examines how the local art scene reacts to the international attention focused on the city during the biennial.

Isabella Oulton examines the current debates around the status of artists in France as raised at The First National Visual Artists’ Forum.