Seventy-seven artists have been shortlisted for 2007 Jerwood Drawing Prize, which includes a first prize of £6,000, a second prize of £3,000, and two student awards each of £1,000. Included are Holly Antrum, Lucy Austin, Catherine Bertola, Lizzie Cannon, Julie […]
Well, its been an extremely busy few weeks for us Gallery Glue folks, so I shall give you a brief run down on what we've been getting up to. Our opening exhibition Analogue-9 has been running rather smoothly, we've had […]
Artist as Leader is a programme that aims to understand the ways artists lead through their practice with a view to informing and developing a critical understanding of the role of creativity in culture.
Gillian Nicol explores the nature of collaborative and creative processes involved in making artwork in the public realm.
One of the main tendencies in public space has been to minimise risk – providing mini-cities in which risk has been all but removed.
Artists comment on the Arts Council’s Turning Point Strategy.
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
Tom Burtonwood introduces his selection of articles from a-n’s archives for Perspectives on practice, illustrating the impact a-n has had on foregrounding developments in artists’ practice and strategies.
David Briers examines The British Art Show 4.
A series of Vox box style reflections by some of the artists who have experienced NAN.
Biographies of Import/Export speakers.
Read the Future space interviews in full. These interviews formed the base material for the Future space publication.
Laura Hewitt on Hotel Mariakapel, an artists’ initiative where the ideas of intimacy, dialogue and collaboration are fundamental concerns.
Market Gallery, Glasgow
9 January – 5 February
Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk
A prize pot of £65,000 was distributed to artists in April in the 2004 Beck’s Futures awards. Designed to identify and present the “most promising contemporary artists working in Britain today”, the shortlist of ten was seleced by curators Klaus […]
Michelle Cotton reviews Sue Tompkins’ performance and considers its relation to the themes of the day.
Winners of the decibel visual arts awards, aimed at black and Asian artists, and curators, were announced in March.
Jane Watt discusses contemporary approaches to the creation of public monuments.
Ben Woodeson profiles the intensive international summer residency at Skowhegan School of Painting and Sculpture, USA.
Artists whose work focuses on glass feature highly in exhibitions and events in the UK and Europe this summer.
This year’s Venice Biennale sees the first separate national presentations from Wales and Scotland. Gordon Dalton and Graham Ramsay preview the two country’s contributions.
Introduction to different kinds of residencies and what they have to offer for creative and career development.
Susan Jones explores the way artists interact with audiences through projects and schemes which involve social or environmental contexts.
Chris Hammonds looks into Scott Myles practice and discusses how he has worked on self-initiated projects, developed work through residencies, and benefitted from commercial representation.
