Hurvin Anderson Cashmere Blanket for House of Voltaire, 2022 Courtesy of the artist, Thomas Dane Credit Graham Pearson_b
John Moores Painting Prize 2020 judges. From left to right, Michelle Williams Gamaker, Hurvin Anderson, Gu Wenda and Jennifer Higgie. Photographer: Robin Clewley
Hurvin Anderson, Still Life with Artificial Flowers. Courtesy: Government Art Collection
Hurvin Anderson, Still Life with Artificial Flowers, 2018, inaugural TenTen Government Art Collection/Outset Annual Commission
Hurvin Anderson, Peter's Sitters II, 2009 (left) and Flat Top, 2008. The Turner Prize Exhibition. Ferens Art Gallery. Hull. Photo: David Levene
Hurvin Anderson, Is it OK to be Black?, 2016, oil on canvas, 130cm x 100cm, 'Hurvin Anderson: Dub Versions', New Art Exchange, Nottingham, 2016. Courtesy: the artist
Hurvin Anderson, Flat Top, 2008, Oil on canvas, 250 x 208 cm, 'Hurvin Anderson: Backdrop', Art Gallery of Ontario, 2016. Courtesy: the artist
Installation view, Hurvin Anderson: 'Dub Versions', New Art Exchange, Nottingham. Photo: courtesy New Art Exchange
Installation view, Hurvin Anderson: 'Dub Versions', New Art Exchange, Nottingham. Photo: courtesy New Art Exchange
Hurvin Anderson, Grafting, 2015
Hurvin Anderson, Is It OK To Be Black?, 2016
Hurvin Anderson, Barbershop, 2006
Bloomberg New Contemporaries 2015 selectors Simon Starling, Jessie Flood-Paddock and Hurvin Anderson; photo by Andy Keate.
Hurvin Anderson, Attic, acrylic on linen, 147x187cm, 2013.
Ana Laura Lopez De La Torre, ‘'Don't be racist to Jamaica, Love Black' - Participant of Say it Loud!’.
© Ana Laura Lopez de la Torre and Hurvin Anderson.
Southwark's Black History Month Launch at Peckham Square, 2006.
