
tactileBOSCH
TactileBOSCH is a studio group committed to experimentation, presentation and collaboration.
TactileBOSCH is a studio group committed to experimentation, presentation and collaboration.
Valley Artists is a mix of established practitioners, recent graduates and current students.
Out of the Blue has thrived through establishing a diversity of activities and income streams.
DAW adapted a successful model of an open studios event for a rural location.
Temporary studios can be a useful option for creating project-specific work.
How a partnership with their local university helped FusionARTS secure studio premises.
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
How education work has contributed to this studio’s success.
CRATE successfully accessed economic development and regeneration funds to buy a building.
Triangle Gallery, SPACE Studios, London
15 January 15 February
Dominic Thomas on the importance of a critical context for artists’ practice. One of a specially commissioned set of articles resulting from Quo Vadis available now on www.a-n.co.uk.
Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.
Philip Babot on the cross-border and international achievements of artists’ organisations in South Wales.
Sarah Jane Pell with an Australian perspective on the impact of this ‘jam-packed’ weekend.
Penny Klepuszewska, a 2003 graduate from Nottingham Trent University and Chris Boyd, a Manchester Metropolitan University second-year interactive arts student were joint winners of the UK Art Prize 2004, that attracted over 40,000 entries and created ten finalists. They shared […]
The first survey of its kind, intended to provide the beginning of a national register of artists’ studio groups and organisations.
Established in 1988, London-based Delfina Studio Trust provides the largest international residency programme in the UK. Of thirty studios, twelve are allocated as an award that provides artists with studio space and related facilities free of charge for one or […]
Artist’s jobs and opportunities 1989-2003
Gordon Dalton reports on the Curating Now symposium at the Irish Museum of Modern Art hoping to find the future of curating in museums.
Projects and collaborations rarely spring into existence fully formed. Hilary Williams examines a short project that developed into a major programme, led to the setting up of a new arts business, and to jeweller Mah Rana uncovering new tracts of material and experience.
Extensive research last year by Morris Hargreaves McIntyre revealed an extensive but as yet untapped market for art sales in England. However, by exploring notions of who and what legitimises contemporary visual arts, Taste buds: how to cultivate the art […]
A recent spate of public utterances by influential policy makers and educators suggests that the visual arts may need to develop a more favourable relationship with language. Some argue that it should be better harnessed to support artists; others think language should just back off and let the visual reclaim its rightful place. Paul Glinkowski interprets.
Contents include: Second report from ‘Jetset’ conference considers artists’ approaches to global networks and corporate branding. Impact of the property market on studios, and of artists on rural communities. New website showcases Scottish craft; textiles and abstract painting reviewed – […]
Jane Watt profiles PACE, public art commissioning agent for Royal Aberdeen Children’s Hospital.
East Street Arts (ESA) is a model example of what the purchase and refit of studios involves.