
Get out of the city and return to the trees.
Or moors: BOSart ’08 refreshes contemporary practise.
Or moors: BOSart ’08 refreshes contemporary practise.
With a-n amongst the first to record its phenomenal impact through publication way back in 1991 of Live art, performance as it was then known, exhibited the characteristics of all that was innovative and edgy. In its introduction, Robert Ayers and David Butler commented: Live arts continued value and relevance is mirrored by the extent to which other live artists continue to come up with surprising, disconcerting new possibilities.
Artist-architect team Kevin Carter and civic Architects discuss their work with Louise Kirkup, Principal Planner of Burnley Borough Council, in the latest in our collaborative relationships series.
In a world increasingly skewed by notions of commodity and markets, artists and creative practitioners must be proactive in seeking out opportunities that enable them to experiment and take the risks that will drive up the quality of their work.
The most recent Braziers international artists workshop enacted a purposeful shift, away from the idea of a residency as undisturbed individual activity, to that of a collaborative disruption of existing modes of practice.
The October art fair frenzy kicks off with Art London 2-6 October at Royal Hospital Chelsea, celebrating its tenth anniversary by presenting eighty galleries, 1,000 artists and five continents.
Glancing at the simmering surface of Lake Ontario in mid-summer, its hard to imagine that Toronto will be snow-covered for most of winter. The extreme conditions, however, dont stop the city from boasting a vibrant art scene. Distinguishing itself from […]
Ruth Claxton, Postcard (Portrait of a Boy), cut postcard, 2008. Photo: Stuart Whipps
Lauren Healey discusses Gallery Glues relationship to NAN.
Felicity Shilingford discusses collaboration and networking within her practice.
Highlighting digital and new media commissions, exhibitions, research and resource developments.
HTML version of Community engagement in which Catherine Wilson explores the myriad ways artists can engage with specific communities via residencies, collaborations, cross-cultural projects and research.
Catherine Wilson addresses three collaborative projects by Rio de Janeiro-based Mauricio Dias and Walter Riedweg who develop works with communities and social groups often on the edges of mainstream society.
G39, Cardiff
3 July 2008 – 9 July 2009
Updated for 2008 Research papers, Indexing intelligence is a listing with live weblinks of accessible ‘facts and figures’, research studies, conference reports, publications and other resources that are pertinent to all those working in the visual arts, compiled and edited […]
Paul Stone explores the wide range of International residency options available to artists and offers a framework for considering what you might want from a residency.
Emilia Telese explores peer review funding for the arts within a holistic art and social environment.
Mark Webster gives an account of the pan-European Animator project and its final event in Warsaw on 26 April.
Kate Stoddart profiles jeweller Cynthia Cousens, looking specifically at awards, exhibitions and research projects.
Kate Stoddart profiles Adam Paxon, who makes one-off sculptural jewellery in plastic, covering his career development and impact of winning prizes like Jerwood Applied Arts Prize in 2007.
Artists Sarah Craske and Stacy Keeler and curator Jessica Baum talk about the challenges of working together in the latest in our collaborative relationships series.
In early April 2008, fifteen artists from around the UK took part in a research visit to Lille, France, entitled ‘The Artist as Social Entrepreneur’.
Peter Freeman makes light sculptures and installations that articulate public spaces. Kate Stoddart explores his practice.
Kate Stoddart profiles Andrea Walsh, discussing the development of her practice in ceramics and glass, work/life balance and the outcomes of a residency at Cove Park.