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Ella Kruglyanskaya, How to work together, installation view, 2014. Courtesy: the artist and Studio Voltaire, London; Photo: Andy Keate
Resource Profile

Artist-led: Studio Voltaire

Founded by a group of artists in south west London as a studio space in 1994, Studio Voltaire currently operates under a multiplicity of different guises. Art researchers Doggerland reflect on the organisation’s hybrid structure, and speak to its head of development and communications Niamh Conneely about the many different modes Studio Voltaire employs to support artists’ careers.

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Kira Freije, The Dark Away, 2017. Photo: Stuart Whipps
Resource Profile

Artist-led: Recent Activity

Based in Birmingham’s growing cultural quarter Digbeth, Recent Activity seeks to contribute to the area’s artist-led scene without replicating the activity of its more established spaces. Art researchers Doggerland speak to one of the organisation’s founders Andrew Gillespie about working within manageable parameters to offer “something a bit different” to the area.

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Cubitt Artists at Goods Way, London 1992. Courtesy: Morgan Quaintance
Resource Profile

Cubitt 25 years: an artist-led history

Morgan Quaintance’ documentary explores Cubitt studios, Cubitt gallery and Cubitt education, taking a look at the history and present of the London-based organisation, its previous curators, artists and others who have been involved, as well as glimpsing into its possible future.

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‘Free Art Party’ by Overdraft as part of EBC004 at ebc, Bristol 2016. Courtesy: Kevin Hunt
Resource Guide

Artist-led: further reading

Kevin Hunt compiles a list of both online and in print reading material about the artist-led sector, as a supplement to his essay People like us and the new Artist-Led Hot 100 (version ii).

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Artist-Led Hot 100 (version ii) logo. Design: Sam Jones. Courtesy: Kevin Hunt and Sam Jones
Resource Profile

Artist-Led Hot 100 (version ii)

Kevin Hunt has created a new Artist-Led Hot 100 to celebrate some of the most exciting artist-led activity that has emerged during the past four years, since his original Hot 100 long-list was produced in Summer 2013. Focusing on projects that are “by artists, for artists”, the list highlights artist-led initiatives around the UK that are visibly active right now.

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Paying Artists Artist-Led Manifesto
Resource Guide

Paying Artists: Artist-Led Manifesto

Created specially for the Paying Artists Campaign by artist Dan Thompson, the Artist-Led Manifesto sets out the principles of fair payment for artist-led groups and collectives who may be in receipt of public funds, but who may also operate without funds at the directive of the artists involved.

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Artist-Led Hot 100
Resource Archive Feature

Artist-Led Hot 100

An artwork by Kevin Hunt created as part of Signpost that aims to draw attention to some of the most superb activity being facilitated by emerging independent artists and curators right now in the UK.

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Alias/Reveal HubBrewhouse, Taunton, 2012
Resource Archive Feature

Then & Now: Artist-led

Highlighting a-n’s long-running interests and the wealth of historical knowledge held in our archive.

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Device #7
Resource Introduction

Artist-led activity

Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.

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Miss B's Salons
Resource Archive News archive

Artist-led developments

Artist-led strategies to support professional development have often proved to be the most successful.

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Resource Guide

Setting up an artist-led space

Russell Martin’s guide to running your own gallery demystifies the process of setting up an artist-led space and highlights the issues to consider before taking such a step.

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Resource Archive Discussion

Changing public art practice and artist-led regulation

The evolution of public art is an ongoing process and as an arts practitioner I contribute my share through work with Chrysalis Arts, which is currently celebrating twenty years of live and public art practice. As a co-founder and director I feel it is time for some reflection on the climate for creating artwork in public places and consider what the future holds.

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Heather and Ivan Morison, LookLookLook!, a temporary pavilion created in response to the eighteenth century walled garden at Berrington Hall, a neo-classical mansion in Herefordshire managed by the National Trust. Photo: Ivan Morison
Resource Guide

Artist commissions outside of the gallery

Contemporary Arts Programme Manager at the National Trust Grace Davies explores the benefits to non-arts organisations of Commissioning artists outside of traditional gallery spaces, and offers some top tips for artists to consider when making an application.

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Lucy Harvey, Mutual Improvement Society. Created following Harvey's residency at Quarry Bank, a National Trust property in Cheshire. Photo: Stephen Iles
Resource Guide

Making a residency proposal to a non-arts organisation

Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.

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Preview of ¿AreWeNotDrawnOnwardToNewEra?: the final closing event at g39’s former Mill Lane home, 2 July 2011. Courtesy: Kevin Hunt
Resource Guide

People like us

Kevin Hunt explores the nature of temporariness and expiration, morphing and longevity in artist-led initiatives. Written to coincide with the launch of the Artist-Led Hot 100 (version ii) and Assembly Liverpool, May 2017.

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Mass: Lotti V Closs, installation view, SYSON gallery, 2015
Resource Guide

Approaching galleries

Jennie Syson, director of the commercial gallery Syson in Nottingham, offers some advice on approaching galleries, through setting out the different research routes and methods you might use.

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Resource Guide

Proposals: exhibitions in galleries

Proactively seeking out opportunities to realise exhibitions and projects is an important strategy in the arts. Adam Smythe, Curator at the Bluecoat in Liverpool, gives some advice on the best methods of approaching galleries with exhibition proposals for your own work or for curatorial projects.

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exhibition-payment1
Resource Guide

Exhibition contract checklist

A best practice reference guide to use when creating an agreement for a solo or group exhibition with a gallery or organisation presenting visual arts. You can also use the a-n Contracts Toolkit to build a contract to the specific exhibition context, and this checklist will support you with this.

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exhibition-payment
Resource Guide

Quick guide to negotiation

Negotiation is one of the four core principles of a-n/AIR’s Exhibition Payment Guide. This quick guide offers 10 tips for better negotiation.

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exhibition-payment
Resource Guide

Quick guide to proposals

a-n/AIR’s Exhibition Payment Guide says artists should make sure they provide clear evidence of their work and experience when approaching a gallery with a proposal. This quick guide offers advice on the main areas to consider when developing a proposal, and includes tips on what to include when responding to an approach from a gallery or making a speculative pitch.

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Resource Guide

Associate programmes for artists

What are artists’ associate programmes and what do they offer within the broad landscape of artists’ professional development? What should artists consider before applying? Based on extensive research into sixty arts organisations across England, Scotland and Wales, this guide by Dany Louise offers artists help in thinking through the various options available to them.

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