Founded by a group of artists in south west London as a studio space in 1994, Studio Voltaire currently operates under a multiplicity of different guises. Art researchers Doggerland reflect on the organisation’s hybrid structure, and speak to its head of development and communications Niamh Conneely about the many different modes Studio Voltaire employs to support artists’ careers.
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Based in Birmingham’s growing cultural quarter Digbeth, Recent Activity seeks to contribute to the area’s artist-led scene without replicating the activity of its more established spaces. Art researchers Doggerland speak to one of the organisation’s founders Andrew Gillespie about working within manageable parameters to offer “something a bit different” to the area.
Morgan Quaintance’ documentary explores Cubitt studios, Cubitt gallery and Cubitt education, taking a look at the history and present of the London-based organisation, its previous curators, artists and others who have been involved, as well as glimpsing into its possible future.
Kevin Hunt compiles a list of both online and in print reading material about the artist-led sector, as a supplement to his essay People like us and the new Artist-Led Hot 100 (version ii).
Kevin Hunt has created a new Artist-Led Hot 100 to celebrate some of the most exciting artist-led activity that has emerged during the past four years, since his original Hot 100 long-list was produced in Summer 2013. Focusing on projects that are “by artists, for artists”, the list highlights artist-led initiatives around the UK that are visibly active right now.
Created specially for the Paying Artists Campaign by artist Dan Thompson, the Artist-Led Manifesto sets out the principles of fair payment for artist-led groups and collectives who may be in receipt of public funds, but who may also operate without funds at the directive of the artists involved.
An artwork by Kevin Hunt created as part of Signpost that aims to draw attention to some of the most superb activity being facilitated by emerging independent artists and curators right now in the UK.
Highlighting a-n’s long-running interests and the wealth of historical knowledge held in our archive.
Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.
Artist-led strategies to support professional development have often proved to be the most successful.
Russell Martin’s guide to running your own gallery demystifies the process of setting up an artist-led space and highlights the issues to consider before taking such a step.
The evolution of public art is an ongoing process and as an arts practitioner I contribute my share through work with Chrysalis Arts, which is currently celebrating twenty years of live and public art practice. As a co-founder and director I feel it is time for some reflection on the climate for creating artwork in public places and consider what the future holds.
The Bethlem Gallery in Bromley provides a professional platform for artists who have experienced mental health difficulties. Alistair Gentry speaks to the gallery’s director Beth Elliot about the organisation and how it fosters a supportive artist-focussed environment.
In recent years many artists have moved from major conurbations to smaller towns or cities in the UK, with access to cheaper work space and accommodation, improved health and wellbeing, and the need for stronger community networks among the factors influencing their decision to relocate. In this guide, Dan Thompson explores the many and varied reasons why artists move to a new place.
Contemporary Arts Programme Manager at the National Trust Grace Davies explores the benefits to non-arts organisations of Commissioning artists outside of traditional gallery spaces, and offers some top tips for artists to consider when making an application.
Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.
A psychogeographic opening up of the city through an aural tour of artist-led venues and other listening points of historical and cultural interest.
Kevin Hunt explores the nature of temporariness and expiration, morphing and longevity in artist-led initiatives. Written to coincide with the launch of the Artist-Led Hot 100 (version ii) and Assembly Liverpool, May 2017.
For this follow up to her Approaching galleries guide, Jennie Syson, director of Nottingham-based commercial gallery Syson, asked artists, arts managers, curators and gallery directors to share their top tips, and dos and don’ts advice.
Jennie Syson, director of the commercial gallery Syson in Nottingham, offers some advice on approaching galleries, through setting out the different research routes and methods you might use.
Proactively seeking out opportunities to realise exhibitions and projects is an important strategy in the arts. Adam Smythe, Curator at the Bluecoat in Liverpool, gives some advice on the best methods of approaching galleries with exhibition proposals for your own work or for curatorial projects.
A best practice reference guide to use when creating an agreement for a solo or group exhibition with a gallery or organisation presenting visual arts. You can also use the a-n Contracts Toolkit to build a contract to the specific exhibition context, and this checklist will support you with this.
In this short introduction Paulette Terry Brien, co-director of International 3, and co-curatorial co-ordinator of The Manchester Contemporary, sets the context for the symposium Fair Cities.
Paulette Terry Brien chairs a panel discussion with Leila Alexander, Liv Vaisberg, and Alys Williams, exploring the ecology of key art market centres in relation to the context of Manchester and the North West of England.
Negotiation is one of the four core principles of a-n/AIR’s Exhibition Payment Guide. This quick guide offers 10 tips for better negotiation.