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Toynbee Studios Launch Event
Resource Archive Feature

Curatorial practice

What is an artist-curator? What makes a good collaborative partnership between a curator and an artist? What financial, practical and critical support is available to curators? Do you work with an organisation or go it alone?

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Reverse Karaoke
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Curatorial practice

An overview of curatorial practice, highlights profiles and other resources on this topic.

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Waiting Room (Video Still)
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Contemporary gallery practice

Paulette Terry Brien reveals how a number of national public-funded galleries and organisations have expanded notions of exhibition programming beyond pristine white-walled gallery spaces, and are commissioning artists to make new and challenging work within the institution, as well as off-site.

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DIWO
Resource Introduction

Curatorial organisations

Beyond the curatorial work established by and presented from within art museums and galleries, a plethora of curatorial organisations operate in order to support and develop the practice of curating. This tour, by Charlotte Frost, examines some of the different remits addressed by curatorial organisations, providing an initial orientation in their hugely diverse activities.

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Resource Archive News archive

Curatorial questions

The Biennial age is the age of the illusion of free flowing global movement of thought and capital, when the success of an artist could be measured in airmiles.

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Resource Guide

Good exhibition practice

Encouraging a consistent attitude to quantifying the value of artists across the exhibition and gallery world.

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Resource Guide

Good practice in paying artists

Aimed at public sector arts employers, commissioners, consultants and arts trainers, Good practice in paying artists addresses the context for fees and payments for artists’ residencies, workshops and community commissions. 

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One of the Jumble Sale stalls
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Practice leads development

The training-led development programmes that were the norm in artists’ professional development delivery some years ago are giving way to new projects that focus around contemporary practice and are driven by ‘real world’ situations. They recognise that being a visual […]

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The Battle of Orgreave
Resource Introduction

Engaged practice

Susan Jones explores the way artists interact with audiences through projects and schemes which involve social or environmental contexts.

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A Fountain
Resource Archive Discussion

Jester-curator

Kate Phillimore and Matthew de Pulford propose the jester as a vehicle for understanding playfulness, mediation, diplomacy and rebellion within curatorial practice.

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Resource Profile

Rachel Garfield

Rachel Garfield explains how a desire to critique dominant models of the mainstream informs her curatorial practice.

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Resource Archive News archive

Curator’s forum

Launched in October, the International Curators’ Forum website supports its aim to provide an open conceptual network around emerging issues of curatorial practice in the context of key events in the international arts calendar.

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Resource Profile

Emily Druiff

Lee Simmons talks to Emily Druiff about her curatorial practice, partnership working and her shift from artist to curator.

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Resource Archive Discussion

Curating in crisis

Chintan Upadhyay and Bose Krishnamachari have been voicing their concerns about Indian curatorial practice through their art projects for the last few years. Considering their arguments, JohnyML says that Indian curatorial practice is going through a phase of crisis; a phase of identity crisis.

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be there saturday sweetheart
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The artist formerly known as curator

A recent forum in Dundee addressed issues surrounding curatorial practice and the relationship between artist and curator. Rob Hunter attended and reports back.

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Installation
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Postgraduate focus

Here, we profile a selection of courses offering postgraduate level study for artists seeking to develop their practice further within creative, supportive and critically challenging environments.

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Arron Kuiper, Box 8, oil paint, aquagel, glass vitrine, 2011
Resource Archive Document

a-n Magazine September 2011

Contents include: Is collaboration different in the visual arts? Gillian Nicol reports from ‘Stronger Together’, an event held in Newcastle in June and Nick Sharp discusses IP and copyright issues that arise through collaborative practices; in Debate Kate Phillimore and […]

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Richard Proffitt 'Feels Good to Burn'
Resource Profile

Liverpool Art Prize

Lauren Healey interviews the artists shortlisted for the Liverpool Art Prize about making work, support structures for their practice, and their reasons for basing themselves in the North West.

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Resource Archive Discussion

Chasing the Shadow

John Plowman unpicks a new book on collaborative practice by Nuno Sacramento and Claudia Zeiske.

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Resource Archive News archive

Rethinking curating

One of the things that makes digital media so exciting is that they problematise many naturalised systems and spaces of communication.

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Il n'y a Plus Rien (There is Nothing Left)
Resource Archive Feature

Artists and Curators Talking

A-n and Axis are launching a new programme of dynamic, practice-led discussions on hospitality, space and contemporary art making, researched and directed by artist, curator and writer Sonya Dyer. Here, she sets out her thinking for the programme.

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