Arts centre in rural Cambridgeshire announces unprecedented interest in its artists’ residency programme.
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A selection of projects that focus on the development of artists’ practice and their engagement with local communities.
A topical round-up of projects that focus on development of artists’ practice and their engagement with people.
Paul Stone explores the wide range of International residency options available to artists and offers a framework for considering what you might want from a residency.
Thanks to lottery funds through the Scottish Arts Council, the first artists residencies for Scotlands celebration of Highland culture in 2007 were awarded in October.
Residencies of any kind are a large undertaking for an artist to commit to both financially and emotionally. The time spent experimenting and finding a fresh perspective or continuing a train of thought uninterrupted must be weighed against the monetary […]
Eleven artists have been awarded residencies at Acmes Fire Station work/live space, as part of this ongoing programme. Slade graduate and recent fellow at The British Library Ming Wong and Ben Cove, recent exhibitor at LMU Leeds and Castlefield Gallery […]
Established in 1988, London-based Delfina Studio Trust provides the largest international residency programme in the UK. Of thirty studios, twelve are allocated as an award that provides artists with studio space and related facilities free of charge for one or […]
Sixtyone artists residencies in twentyfive countries have taken place since the inception of ACEs International Fellowship Programme in 2001. These have benefited more than 130 artists. A celebratory event for this initiative was held in July at Übertrendy Sketch Art […]
Two new residencies are in the pipeline for artist, writer and recent new a-n staff member Cathryn Jiggens. From June until August she will be the first artist-in-residence at the Courthouse in Otley a Victorian magistrate’s court recently transformed […]
Winners of the 2004 Glenfiddich residencies are Christine Borland, Ross Sinclair and Louise Hopkins who will each be provided with accommodation, studio and gallery space to create and show new work. Marking the centenary of the Entente Cordiale, the 2004 […]
Introduction to different kinds of residencies and what they have to offer for creative and career development.
Lucy Kimbell outlines some issues that can arise from residencies in business settings and should be resolved in advance.
Andrea Ronan outlines some UK residencies including what sponsors or residency programmers may expect in return for the fees, studios, materials and accommodation on offer.
Sample day rates to guide arts budgeting and to help visual artists negotiate a fair rate of pay for short-term contracts such as commissions, residencies and community projects.
Hannah Pierce, a-n’s External Programmes and Partnerships Manager, offers advice on writing applications for a-n’s member opportunities.
Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.
Analysis of data drawn from a-n’s Jobs and opps site over the calendar year of 2016 along with commentary on the current conditions for artists’ practice in the UK.
Founded by a group of artists in south west London as a studio space in 1994, Studio Voltaire currently operates under a multiplicity of different guises. Art researchers Doggerland reflect on the organisation’s hybrid structure, and speak to its head of development and communications Niamh Conneely about the many different modes Studio Voltaire employs to support artists’ careers.
Dr Edwina fitzPatrick, course leader of the MFA Fine Art course at Wimbledon College of Arts, offers advice and explores the key issues to consider when selecting and applying to a postgraduate course.
Colin Hambrook provides an introduction to the history of, and current practices in the field of disability arts, including an overview of key organisations that support disabled visual artists.
Getting on top of your business puts you in control. Actively driving the business side of your practice forward makes you more productive. Achieving minor goals and ‘dealing’ with the admin also boosts feel-good factor, making you more time for your creative practice. Here, Kate Brundrett offers some top tips.
As a professional artist you may spend a good part of your time sending out invoices, chasing payments and generally worrying about your cashflow. This guide considers different payment options and offers practical advice on managing debtors.
Within UK universities, visual artists are working across university departments in many different ways ranging from arts and health initiatives, residencies and cultural heritage projects to commissions, teaching and PhD research. Artist Steve Pool identifies some key ways artists are working within HE and considers the value of such relationships to both artists and institutions.
Artist Paul Evans discusses how his work became aligned to the research undertaken within universities and how his socially engaged practice has enabled academics and the public to better understand the nature of university research. Based on an interview by artist Steve Pool.