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Research paper
Future forecast: Future Space
Read the Future space interviews in full. These interviews formed the base material for the Future space publication.
You searched for curatorial practice - Page 30 of 32 - a-n The Artists Information Company
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Editorial – 2005 April
When invited in March to give evidence in person at the Culture, Media and Sport Committee’s Inquiry into the Market for Art, we used the opportunity to emphasise key areas for attention that would benefit many artists, taking into account […]
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Old and new masters
Bruce Haines profiles Johannes Phokela’s ongoing partnership with Gasworks in London.
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More than a stopping place
Laura Hewitt on Hotel Mariakapel, an artists’ initiative where the ideas of intimacy, dialogue and collaboration are fundamental concerns.
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S1 Artspace
S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.
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Critical Engagement
I was interested to read Dominic Thomas’ article ‘Critical Contexts’ (a-n February) and wholeheartedly agree with his view that “many [professional development] schemes seem unable or unwilling to tackle the issue of the actual product of an artist’s labours”. ETA […]
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Profile
Occupation Studios
Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.
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Profile
Gasworks studios
Gasworks is part of an international network of independent studios around the globe.
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Art work
Artist’s jobs and opportunities 1989-2003
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Gold rush
Projects and collaborations rarely spring into existence fully formed. Hilary Williams examines a short project that developed into a major programme, led to the setting up of a new arts business, and to jeweller Mah Rana uncovering new tracts of material and experience.
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Art work
A-n Director of Programmes Susan Jones reviews artists’ jobs and opportunities over the years.
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News archive
Market for sales explored
Extensive research last year by Morris Hargreaves McIntyre revealed an extensive but as yet untapped market for art sales in England. However, by exploring notions of who and what ‘legitimises’ contemporary visual arts, Taste buds: how to cultivate the art […]
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Work in progress
Paul Stone examines some of the issues arising from the a-n event in June.
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Locative networking
Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk
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InFested
Kaavous Clayton reports from the InFest: International Artist-Run Culture conference in Vancouver, Canada.
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Diversity developments
Winners of the decibel visual arts awards, aimed at black and Asian artists, and curators, were announced in March.
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Andrew McDonald
My practice as an artist is about escape, about losing myself in the process of making art, escaping the world.
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An academic model
Paul Glinkowski profiles the work of Paul Bonaventura, co-founder of The Laboratory, the research wing of the Ruskin School of Drawing and Fine Art at the University of Oxford, in the fifth article of the ‘Crossing over’ series.
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Montreal
Gillian Nicol reports on Montreal’s vibrant artist-run sector.
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Anything could happen in…
Mike Stubbs reports from The Next Five Minutes International Festival of Tactical Media in Amsterdam.
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Making visible
Deborah Smith unpicks the notion of collaborative practice in the work of the artist, writer and curator David A Bailey, the third article in the ‘Crossing over’ series.
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Space age
Rosemary Shirley visits Reading-based gallery and studio complex Open Hand Open Space and discovers what makes the organisation tick.
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Showing out
In the second of the ‘Crossing over’ series, Nina Madden meets Kirsty Ogg, Director of London-based organisation The Showroom.
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Going it alone
Chris Noraika discusses the pros and cons of working outside
of the commercial gallery stable system.
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Home and away
Curatorial partnership B+B talk about their residency at the Austrian Cultural Forum in London.