You searched for curatorial practice - Page 30 of 31 - a-n The Artists Information Company

Paul Stone examines some of the issues arising from the a-n event in June.

Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk

Kaavous Clayton reports from the InFest: International Artist-Run Culture conference in Vancouver, Canada.

Winners of the decibel visual arts awards, aimed at black and Asian artists, and curators, were announced in March.

Gillian Nicol reports on Montreal’s vibrant artist-run sector.

Mike Stubbs reports from The Next Five Minutes International Festival of Tactical Media in Amsterdam.

Deborah Smith unpicks the notion of collaborative practice in the work of the artist, writer and curator David A Bailey, the third article in the ‘Crossing over’ series.

Rosemary Shirley visits Reading-based gallery and studio complex Open Hand Open Space and discovers what makes the organisation tick.

In the second of the ‘Crossing over’ series, Nina Madden meets Kirsty Ogg, Director of London-based organisation The Showroom.

Chris Noraika discusses the pros and cons of working outside
of the commercial gallery stable system.

Curatorial partnership B+B talk about their residency at the Austrian Cultural Forum in London.

Down town Regardless of your artistic persuasion the New York art scene is probably the most seductive in the world, with the possibility of wealth and influence promised by the American art dream. As someone whose artistic and curatorial interests […]

Lars Bang Larsen’s discussion of visual art extends beyond new sites and contexts to ask questions of how art meets the idealogical spaces of politics and mass media – and how behaviour has become aesthetic.

Penelope Curtis explores how ‘installation art’ has affected our readings of art, artists and curators.

Working internationally, and how this informs an individual artist’s practice, need not only be about physical travel. Gavin Wade and Aleksandra Mir give personal assessments of their involvement in two different projects. Both projects are ongoing, constantly evolving, and involve a process of research and collaboration with individuals and organisations from different countries. The results of this methodology – the surrendering of a degree of individual authorship – influences the physical manifestation of each artist’s final work.

Peckham’s Whitten Timber Yard is the current home for Area 10, a non-hierarchical artist-led group with experimentation, communication and collaboration at its core.

Site-specificity and community involvement might be buzzwords for attracting funding bodies, but they are no guarantee of project success. Emma Safe visited Swansea for this year’s Locws2 to find out how they tackled some of the issues.

Louise Clements and Jonathan Willett describe Spectrum 2002, a light-infused programme of exhibitions and outreach work at Nottingham’s artist-run Lightsource.