
A Theory of Everything
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Archive
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Venue:
Core Gallery -
From:
June 25, 2011 -
To:
July 10, 2011 -
Location:
London
I have started developing a project to transform the distribution of chewing gum splats on the pavement into a piece of music. I’m creating visual scores of a walk through Preston with video and photography. Wherever the chewing gum intersects […]
The first video piece combines digital imagining with light reflections and manipulated sound to create a haunting experience of the past inhabitants reawakening and escaping. This was created working with live doves. The second piece shows the images of live […]
The first video piece combines digital imagining with light reflections and manipulated sound to create a haunting experience of the past inhabitants reawakening and escaping. This was created working with live doves. The second piece shows the images of live […]
Progress I had a call from Carla Moss today who is curating an exhibition at Greenbelt Festival this year. The theme of the show is text because it is the 400th Anniversary of the King James Version Bible. She called […]
Degradation is a word that can be used in many a different context. I feel it’s one way to see the world, as a constant death or of dying. When something degrades it signifies time, and with it a space […]
Bob and I have interviewed each other for Jean McEwan’s new zine for New Work Yorkshire: I Stood Up And I Said Yeah Issue 1: DIY which launched yesterday, Friday 6th May at the Compass Live Art event at Bloc […]
My work has gravitated very much towards photography and printing from the photographs using the gum arabic method. the subject matter is still hovering around the idea of nature taking over the urban environment and human beings taking over or […]
The New Art Gallery, Walsall
21 January – 20 March 2011
Shown here are the early year 2 works. ‘Paperbacks & Guidebooks’ was a still life painted in acrylic, all of these books are also used via photograph in ‘Books’ and ‘10 Paperbacks’ which are more graphic. ‘10 Paperbacks’ is unfinished […]
Launched in March, Creative Scotland’s first corporate plan presented an ambitious vision for the nation’s arts, culture and creative industries. This is backed by core Treasury financing of £35.5m with £14.5m of Scottish Government funds for specific initiatives, unspent reserves from the interim between Scottish Arts Council/Scottish Screen and Creative Scotland, some lottery funding back after diversion to the Olympics and reduced overheads due the merger that included a 30% staff cut.