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XXXX pictured during the launch of ‘Framing the Future: The Case for Strengthening the Visual Arts Ecosystem’, at the House of Commons in London. HANDOUT PHOTO. FREE EDITORIAL USE. Photo credit: Matt Crossick/DACS. The report, by leading visual arts organisations, includes recommendations aimed at safeguarding the UK’s arts and artists ahead of the goverment’s spending review.
Artist Larry Achiampong pictured during the launch of ‘Framing the Future: The Case for Strengthening the Visual Arts Ecosystem’, at the House of Commons in London. HANDOUT PHOTO. FREE EDITORIAL USE. Photo credit: Matt Crossick/DACS. The report, by leading visual arts organisations, includes recommendations aimed at safeguarding the UK’s arts and artists ahead of the goverment’s spending review.
Picture by Jim Wileman - Artist Debs Last, pictured at Bucks Mills, North Devon. Debs is painting a picture every day of 2022.
Picture by Jim Wileman - Artist Debs Last, pictured at Bucks Mills, North Devon. Debs is painting a picture every day of 2022.
‘ Cornucopia ’ a collection of forty one works of art created by Patricia Volk, a Wiltshire based sculptor opens to the public on monday at One Canada Square bringing to life three decades of dynamic sculpture that will challenge visitors to Canary Wharf to find their inner child as they interact with the vibrant coloured geometric shapes.
Pictured: Sculptor Patricia Volk places ‘ Pieta & Taurus ’ a paint fired clay design in preparation for the opening of a retrospective of her work spanning three decades.©Russell Sach - 0771 882 6138
Emma Talbot, portrait in the artist’s studio pictured with When Screens Break, 2020. Photo: Thierry Bal
Anna Berry pictured with The Constantly Moving Happiness Machine. Photo: Anna Berry
Irene McAra-McWilliam, director of design innovation at the Glasgow School of Art. Pictured at the new GSA Highland Campus at the recently converted Blairs Steading on the Altyre Estate near Forres. Photo: Paul Campbell
Artist Barbara Walker, pictured at the Diaspora Pavilion, Venice Biennale, 2017. Courtesy: the artist
West wing of the Mackintosh building, Glasgow School of Art, pictured from CCA's Scott Street entrance. Photo: Chris Sharratt
'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018).
Pictured: The Cat Stays in the Picture (2010) by Rebecca Warren, Hand Drawn (1964) by Lynn Hershman Leeson and Untitled (2011-2015) by Amelie von Wulffen
Photo: Andy Stagg
'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018)
Pictured: Campaign Volunteer (2018) by Rosemarie Trockel, Yves (2018) by Sarah Lucas and Biological Clock 2 (1995), Call Me (1987) and Seduction (1985) by Lynn Hershman Leeson. Photo: Andy Stagg
Sound piece through headphones around the whole site at Knole, by Melanie Wilson (pictured), part of 'A Woman's Place at Knole', -Sevenoaks, Kent . Photo: Ciaran McCrickard / National Trust
Jane Hall (Assemble) and Simon Terrill, pictured with their installation The Ostrich and the Kipper, 2017, part of 'Parallel (of Life and) Architecture', The Edge, Bath. Courtesy: The Edge
Dorothy Iannone, Wiggle Your Ass For Me, 1970, pictured at Frieze London 2017. Photo: Chris Sharratt
Rachel Maclean pictured at Chiesa di Santa Caterina where her film, Spite Your Face, 2017, is being shown. Photo: Patrick Rafferty; Courtesy: Scotland + Venice
Fleming Wyfold Bursary winner Camille Bernard (centre) pictured in front of her artwork with FW Director James Knox (left) and David Roberts Art Foundation Director Vincent Honoré. Courtesy: RSA
Liliane Kijn, White Koan for Plymouth, pictured outside the Mead Gallery, Warwick Arts Centre, Coventry
Gavin Wade, pictured in front of billboard work, Europa and The Bull, 2014, based on Trewin Copplestone’s lost ‘Charging Bull’ 1963 public sculptures in Birmingham, taken down in 2003. Photo: Nathaniel Pitt
Platform Graduate Award winner Sophie Dixon, pictured with Peter Heslip, director of Visual Art, Arts Council England, and the Lord Mayor of Portsmouth. Picture:: Matt Ankers
Karen MacGregor, '40 souls', wool, fishing wire, 27th May 2014.
Photo: Aydan Conway. It feels so good to finally see these cubes on the wall and it is just how i pictured it. I am most pleased. Special thanks to Aydan for helping me.
Jeremy Deller, Sacrilege, 2012. Pictured at Glasgow International 2012