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‘ Cornucopia ’ a collection of forty one works of art created by Patricia Volk, a Wiltshire based sculptor opens to the public on monday at One Canada Square bringing to life three decades of dynamic sculpture that will challenge visitors to Canary Wharf to find their inner child as they interact with the vibrant coloured geometric shapes.
Pictured: Sculptor Patricia Volk places ‘ Pieta & Taurus ’ a paint fired clay design in preparation for the opening of a retrospective of her work spanning three decades.©Russell Sach - 0771 882 6138
Emma Talbot, portrait in the artist’s studio pictured with When Screens Break, 2020. Photo: Thierry Bal
Anna Berry pictured with The Constantly Moving Happiness Machine. Photo: Anna Berry
Irene McAra-McWilliam, director of design innovation at the Glasgow School of Art. Pictured at the new GSA Highland Campus at the recently converted Blairs Steading on the Altyre Estate near Forres. Photo: Paul Campbell
Artist Barbara Walker, pictured at the Diaspora Pavilion, Venice Biennale, 2017. Courtesy: the artist
West wing of the Mackintosh building, Glasgow School of Art, pictured from CCA's Scott Street entrance. Photo: Chris Sharratt
'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018).
Pictured: The Cat Stays in the Picture (2010) by Rebecca Warren, Hand Drawn (1964) by Lynn Hershman Leeson and Untitled (2011-2015) by Amelie von Wulffen
Photo: Andy Stagg
'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018)
Pictured: Campaign Volunteer (2018) by Rosemarie Trockel, Yves (2018) by Sarah Lucas and Biological Clock 2 (1995), Call Me (1987) and Seduction (1985) by Lynn Hershman Leeson. Photo: Andy Stagg
Sound piece through headphones around the whole site at Knole, by Melanie Wilson (pictured), part of 'A Woman's Place at Knole', -Sevenoaks, Kent . Photo: Ciaran McCrickard / National Trust
Jane Hall (Assemble) and Simon Terrill, pictured with their installation The Ostrich and the Kipper, 2017, part of 'Parallel (of Life and) Architecture', The Edge, Bath. Courtesy: The Edge
Dorothy Iannone, Wiggle Your Ass For Me, 1970, pictured at Frieze London 2017. Photo: Chris Sharratt
Rachel Maclean pictured at Chiesa di Santa Caterina where her film, Spite Your Face, 2017, is being shown. Photo: Patrick Rafferty; Courtesy: Scotland + Venice
Fleming Wyfold Bursary winner Camille Bernard (centre) pictured in front of her artwork with FW Director James Knox (left) and David Roberts Art Foundation Director Vincent Honoré. Courtesy: RSA
Liliane Kijn, White Koan for Plymouth, pictured outside the Mead Gallery, Warwick Arts Centre, Coventry
Gavin Wade, pictured in front of billboard work, Europa and The Bull, 2014, based on Trewin Copplestone’s lost ‘Charging Bull’ 1963 public sculptures in Birmingham, taken down in 2003. Photo: Nathaniel Pitt
Platform Graduate Award winner Sophie Dixon, pictured with Peter Heslip, director of Visual Art, Arts Council England, and the Lord Mayor of Portsmouth. Picture:: Matt Ankers
Karen MacGregor, '40 souls', wool, fishing wire, 27th May 2014.
Photo: Aydan Conway. It feels so good to finally see these cubes on the wall and it is just how i pictured it. I am most pleased. Special thanks to Aydan for helping me.
Jeremy Deller, Sacrilege, 2012. Pictured at Glasgow International 2012
'Karen MacGregor', Wool, thread and nails, Feb 2014.
Photo: Karen MacGregor. In this image i have pictured some of my hand made crochet cubes. These are to symbolise a few things about beagles in labatorys. The cube itself is to represent the cages they live in their whole lifes in, in solitary confinement. The colours of the cubes and the floppy, imperfect nature of the stuctures represent the beagles individual personalities that are removed and left outside the labatorys. Their identity is taken away from them the moment they arrive and from then on they are just known as a number. The number in question is tattooed on the inside of their ear.
Wales First Minister Carwyn Jones pictured with Pete Fowler's commission.
'AIR members march for the alternative'. Photo: Mariona Otero.
Anti-cuts protests, London, 26 March, 2011. In total there were around 50 AIR members who joined the march that was attended by more than 25,000 people. The performance piece pictured involved members of AIR, along with non-affiliated artists and other art activist groups.
Bedwyr Williams, 'Lionheart & Lightsout', 2011.
Lionheart and Lightsout attend the unveiling to give their seal of approval, pictured with Bedwyr Williams (centre).