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PICTURED #41: Regine Petersen, Find a Fallen Star

Published on the occasion of her solo exhibition at Foam in Amsterdam, Regine Petersen’s Find a Fallen Star is made up of three hardcover books in one slipcase that combine photography with archival material to narrate and establish a small history of meteorite incidents.

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PICTURED #40: Taryn Simon, Rear Views …

Taryn’s Simon’s new title, Rear Views, A Star-forming Nebula, and the Office of Foreign Propaganda – published on the occasion of a major exhibition at Jeu de Paume, Paris – is more than a catalogue. Tim Clark argues that it’s a veritable tome of essays, images and ideas on the nature of photographic information and misinterpretation.

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PICTURED #39: Mike Brodie, Tones of Dirt and Bone

Twin Palms Publishers have just released a new photobook from Mike Brodie, Tones of Dirt and Bone, lifting the lid on the photographer-cum-mechanic’s unseen images of the people he met while hopping trains in the US. Tim Clark is intrigued.

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PICTURED #38: Salt and Silver: Early Photography 1840-1860

Published to accompany a Tate Britain exhibition, Salt and Silver: Early Photography 1840-1860, is a catalogue of rare photographs from the advent of the medium that are both magical and mundane. Tim Clark takes a step back in time.

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PICTURED #37: Alec Soth, Songbook

Songbook, the much anticipated photobook from leading photographer Alec Soth, chronicles the solitary experiences of Americans through a blend of lyrical portraits and empty landscapes. Tim Clark considers the images of those longing for connection in an era of virtual networks.

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PICTURED #36: Andy Sewell, Something Like a Nest

Andy Sewell’s self published Something like a Nest reveals the unique yet odd appearance of the English countryside when it comes up against modern life. Tim Clark celebrates the book’s quiet sophistication in the first PICTURED column of 2015.

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PICTURED #35: Alberto Lizaralde, everything will be ok

Alberto Lizaralde’s self-published book, everything will be ok, is an intensely private journey through grief, hope and recovery. Nominated for this year’s Paris Photo Aperture Foundation First Book Award and co-edited by celebrated photographer Cristina De Middel, it’s quickly turning heads – Tim Clark’s included.

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PICTURED #32: Erik Kessels, In Almost Every Picture 13

For the latest photobook in the celebrated In Almost Every Picture series, the Dutch curator and editor Erik Kessels continues to delve into the treasure troves of vernacular photography to bring us imperfect images where the photographer’s hand appears in the frame. Tim Clark reveals more.

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PICTURED #31: Paul Graham, Does Yellow Run Forever?

Does Yellow Run Forever?, the latest monograph from British-born, New York-based artist Paul Graham, offers a seductive and dreamy meditation on what we seek and value in life – love, wealth or beauty? Tim Clark finds plenty to celebrate within its pages.

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PICTURED #30: Joan Fontcuberta, Trepat

For more than 30 years, Joan Fontcuberta has been challenging the veracity of the photographic medium by staging one hoax, pseudo-documentary project after another. A new book, Trepat, sees the Catalan artist explore the improbable archive of the Spanish industrial powerhouse Josep Trepat. Tim Clark steps inside his world.

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PICTURED #29: Ricardo Cases, Paloma al aire

Paloma al aire, Ricardo Cases’ highly-acclaimed photobook, shines a spotlight on the practice of pigeon racing in the Spanish regions of Valencia and Murcia. With the release of a new second edition, Tim Clark reflects on the extravaganza of colour, fantasy and prowess of an older Spain.

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PICTURED #28: Thomas Mailaender, The Night Climbers of Cambridge

A new photobook from The Archive of Modern Conflict captures the magic and vertiginous tomfoolery of 1930s Cambridge undergraduates climbing the city’s buildings by night. Tim Clark considers the merits of Thomas Mailaender’s The Night Climbers of Cambridge.

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PICTURED #27: Stephen Gill, Talking To Ants

For the latest in our series focusing on art books, Tim Clark puts Stephen Gill’s Talking To Ants under the microscope and delights in humdrum views of Hackney embellished by in-camera photograms.

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PICTURED #26: António Júlio Duarte, Japan Drug

Japan Drug by António Júlio Duarte, the new title from Portuguese publishers Pierre von Kleist Editions, excels with its focus on quiet and luminous photographs depicting a country at the dawn of a new millennium.

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The Photobook: A History Volume III
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PICTURED #25: The Photobook: A History Volume III

Our PICTURED series on visually-rich art books is one year old. To mark the 25th instalment, Tim Clark takes a close look at The Photobook: A History Volume III, co-edited by Martin Parr and Gerry Badger and the latest instalment from the acclaimed series on the history of the photobook.

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Esther Teichmann
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PICTURED #24: Esther Teichmann, Fractal Scars, Saltwater and Tears

Esther Teichmann’s Fractal Scars, Saltwater and Tears, published by Self Publish, Be Happy, is an ambiguous and dreamy rumination on loss, longing, femininity and the nude. Tim Clark steps into an imaginary world of desire and finds a vertiginous exploration of womanhood.

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PICTURED #23: Eamonn Doyle, i

Quiet observations of passersby in Parnell Square, Dublin form the basis of Eamonn Doyle’s self-published, i, an odd but captivating take on the tradition of street photography.

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Memorabilia, Arion Gábor Kudász
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PICTURED #19: Arion Gábor Kudász, Memorabilia

Published on the occasion of his exhibition at the Hungarian House of Photography in Budapest, Arion Gábor Kudász’s new monograph maps the logic of memory through a photographic exploration of his late mother’s personal belongings.

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Guido Guidi.
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PICTURED #17: Guido Guidi, Veramente

For the latest instalment of our regular Pictured series focusing on art books, Tim Clark reflects on Veramente, the career-spanning monograph from pioneer of new Italian landscape photography, Guido Guidi.

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