You searched for curatorial practice - Page 25 of 31 - a-n The Artists Information Company

Kwong Lee
Event Exhibition

Unresolved

  • Archive
  • Venue:
    Castlefield Gallery
  • From:
    December 04, 2009
  • To:
    January 31, 2010
  • Location:
    North West England
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Automatic
Resource Archive News archive

Auto-Italia South East

Auto-Italia South East was formed in April 2007 by three artists: Amanda Dennis, Kate Cooper and Rachel Pimm. It is the name of the project, a larger network of artists, as well as the space they run in a donated building in South London.

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Jambula The Old Library - Edinburgh School of Geosciences
Resource Profile

Career profile: Alice Ladenburg

Alice Ladenburg graduated in 2008 with a BA (Hons) in Drawing and Painting from Edinburgh College of Art. Continuing to live in Scotland’s capital, she works four days a week in the commercial art world at Ingleby Gallery, taking part […]

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Fay Incorporated, performance at ?art art art? first birthday, 2008
Resource Profile

Matt Roberts

Curator Matt Roberts talks to Jane Watt about how and why he set up the London-based organisation Matt Roberts Arts and the importance of providing support and a platform for emerging and mid-career artists, curators and arts professionals.

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Testing prototypes at STI.
Resource Archive Feature

Group process

Nick Slater and Kathrin Böhm relate the project by public works and myvillages.org, commissioned as part of Radar’s ‘Group Process’ programme.

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All Smoke and No Fire
Resource Archive News archive

Tether development

Tether is a Nottingham-based artist collective that forms the nucleus for a cluster of associated activity, including studios, exhibitions, off-site projects, a video programme and podcasts, even stretching to a ‘Tether’ festival.

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Production shot from Our Name is Legion
Resource Archive Feature

Our name is legion

Beacon co-director John Plowman and artist Kelly Large discuss the project ‘Our Name is Legion’.

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Resource Profile

Mark Wilsher

Mark Wilsher talks about combining the roles of artist and curator in his own practice.

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Resource Profile

Simon Tegala

Simon Tegala tells how he needs to adopt many different roles to realise the production of his curatorial projects.

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Splat, Holland Park
Resource Introduction

Artist-curator relationships

Growth of independent curators and curatorial agencies within the UK over the last decade is no accident. Generated in part as a response to inherent constraints within the traditional gallery and museum world and development of specialist curatorial courses, it has undeniably brought fresh perspectives to artist-curator relationships and, increasingly, supports those practitioners seeking to move across into curation as a natural extension of their visual arts practice.

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Blog Post

Untitled blog post from "Project Eigg"

Firstly I reckon it is important to explain what it is that I do and why I choose to do it that way: I call myself an artist, and mainly I work towards relatively large projects with institutions that I […]

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Resource Profile

David A Bailey

David A Bailey talks about how his socially-informed work has led him to curate projects that set it within a wider (art) historical context.

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Resource Profile

Gavin Wade

Gavin Wade talks about his role as a ‘professional curator’ working outside of an institution.

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Resource Profile

Jananne Al-Ani

Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.

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Detail from an architectural lightbox installation at Thomas Bennett Community College, Crawley
Resource Profile

Frances Lord

Frances Lord discusses her practice as a curator, writer, freelance project manager and art consultant with Jane Watt.

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Resource Profile

Spark Plug Curator Award

Crafts Council Director of Programmes, Claire West talks to Jane Watt about why the Spark Plug Curator Award was initiated, the selection process and some of the exciting new curatorial ideas and works that have emerged.

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Descendants of the Unfamiliar
Resource Archive Feature

NAN in conversation with Faye Claridge

Faye Claridge received a NAN Re-View bursary in February 2008 in order to initiate mentoring with curator Katy Barron. Emilia Telese talks to her about the bursary and its impact.

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Blog Post

Untitled blog post from "Temporary Art Space"

ARTISTS ANNOUNCED FOR TEMPORARY ART SHOW (part 3) Milk, Two Sugars "In a world of increasing mediocrity and as an antidote to the culture of manufactured individuality we offer the world the only viable alternative, "Milk, Two Sugars". Milk, Two […]

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