A short paper that briefly reviews some of the existing literature that has been referenced or has provided useful context and comparison for the Paying Artists study.
A short paper that briefly reviews some of the existing literature – research, resources and approaches to artists’ terms and conditions in exhibition practice – which have been referenced or provided useful context and comparison for the Paying Artists Study.
How do artists fare when they show work in publicly-funded galleries in the UK? New research commissioned by a-n and AIR looking specifically at artists’ experiences reveals the gulf between the expectations of artists and galleries.
Second phase of a-n/AIR-commissioned research, exploring artists’ and venues’ experiences of exhibiting in publicly-funded venues. Phase 2 findings build on data from Phase 1 and are based on interviews conducted with artists and venues.
Second phase of research study commissioned by a-n and AIR looking at artists experiences of exhibiting in publicly-funded venues. Overview of main findings from interviews with artists and publicly-funded venues that deepens understanding of data Phase 1 findings and explores perceptions and issues from both sides of the experience.
a-n/AIR-commissioned research exploring artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
Research study commissioned by a-n and AIR looking at artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
In the run up to the launch of the Paying Artists Campaign, a-n has published two new research reports covering international models for artists’ fees and the history of Exhibition Payment Right in the UK.
A new batch of research has just been published as part of a-n and AIR’s ongoing Paying Artists campaign.
a-n The Artists Information Company makes 15 significant new appointments to its Artists Council.
Jerwoods Arts asked 71% of successful applicants to resubmit their application form with a higher artist fee allocation.
a-n is seeking new members of Artists Council, an advisory group to the Board and Executive that plays a key role in advocacy, lobbying and developing a-n programmes.
We’re looking for artists to join our Artists Council, an advisory group to the Board and Executive of a-n The Artists Information Company.
This year’s Engage conference in Manchester brought together educators, curators, researchers, artists and policymakers to discuss the diversity of approaches to arts and health – both physical and mental – in current practice. Artist and writer Alistair Gentry reports.
For the final Assembly event in the current series, a-n was in Cardiff for a day of discussion and debate around how to survive as a creative practitioner. Trevor H. Smith reports.
So a really interesting episode of thinking aloud, that tackles lots of issues around artists and the cultural industries and paying artists. Really relevant and worth a listen to. ‘Creativity – has it become the meaningless buzz word for our […]
Writing a manifesto was one of Dan Thompson’s first acts as an artist and he has since written several more including one about using empty shops, and The Paying Artists Manifesto for Artist-Led Work that showed how artists working with their own ecology, economy and excitement ‘make the world around them better’. He explores the history of artists’ manifestos and shares advice and tips on how to write your own.
A survey of Berlin-based artists by the Institute for Strategy Development found that female artists are worse off than men, with many facing considerable barriers such as a significant gender pay gap and regular sexual harassment.
When artist and writer Alistair Gentry first shared his experiences of depression earlier this year it resulted in a flood of private feedback and led a-n to commission a series on artists and mental health for our Resources section. Drawing on the conversations he’s had with artists and arts workers, he argues for more openness about mental illness and wellness in the arts.
During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.
Announcing the recipients of this year’s a-n Artist Bursaries which offer awards of £500-£1,000 to a-n Artist and Joint (Artist and Arts Organiser) members wishing to undertake a self-directed professional development project.
In recent years many artists have moved from major conurbations to smaller towns or cities in the UK, with access to cheaper work space and accommodation, improved health and wellbeing, and the need for stronger community networks among the factors influencing their decision to relocate. In this guide, Dan Thompson explores the many and varied reasons why artists move to a new place.
A Paying Artists Working Group is being set up to inform the development of a-n / AIR’s Exhibition Payment Guide and support its implementation over the next five years.
The UK has the most highly developed arts infrastructure in the world. But, asks 2016-17 Clore Visual Artist Fellow Maurice Carlin in the first of two short provocations, imagine if it all disappeared overnight. Would it make a difference to your career? Would you still make art? And what do we want this infrastructure to do?
A new report by François Matarasso has been published on the impact of a week-long pilot lab that offered six early career artists, aged 50 and over, time to explore how creativity can be nourished and how artists can challenge themselves to develop.
