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Resource Research paper

Paying Artists Research: Literature and Approaches Review

A short paper that briefly reviews some of the existing literature – research, resources and approaches to artists’ terms and conditions in exhibition practice – which have been referenced or provided useful context and comparison for the Paying Artists Study.

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Paying Artists Research
News News story

Full Paying Artists Research published

How do artists fare when they show work in publicly-funded galleries in the UK? New research commissioned by a-n and AIR looking specifically at artists’ experiences reveals the gulf between the expectations of artists and galleries.

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Research Cultural value

Paying Artists research: Phase 2 findings

Second phase of a-n/AIR-commissioned research, exploring artists’ and venues’ experiences of exhibiting in publicly-funded venues. Phase 2 findings build on data from Phase 1 and are based on interviews conducted with artists and venues.

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Paying artists research Phase 2 interviews
Resource Research paper

Paying Artists Research: Phase 2 findings

Second phase of research study commissioned by a-n and AIR looking at artists experiences of exhibiting in publicly-funded venues. Overview of main findings from interviews with artists and publicly-funded venues that deepens understanding of data Phase 1 findings and explores perceptions and issues from both sides of the experience.

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Research Cultural value

Paying Artists research: Phase 1 findings

a-n/AIR-commissioned research exploring artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.

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Paying Artists Research Phase 1 findings
Resource Research paper

Paying Artists Research: Phase 1 findings

Research study commissioned by a-n and AIR looking at artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.

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Become part of Artists Council

We’re looking for artists to join our Artists Council, an advisory group to the Board and Executive of a-n The Artists Information Company.

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Resource Guide

Artists’ manifestos: making change happen

Writing a manifesto was one of Dan Thompson’s first acts as an artist and he has since written several more including one about using empty shops, and The Paying Artists Manifesto for Artist-Led Work that showed how artists working with their own ecology, economy and excitement ‘make the world around them better’. He explores the history of artists’ manifestos and shares advice and tips on how to write your own.

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News News comment

Artists and mental health: a conversation that needs to get louder

When artist and writer Alistair Gentry first shared his experiences of depression earlier this year it resulted in a flood of private feedback and led a-n to commission a series on artists and mental health for our Resources section. Drawing on the conversations he’s had with artists and arts workers, he argues for more openness about mental illness and wellness in the arts.

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News News feature

In Kind and out of pocket: the hidden costs of artists working for free

During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.

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Resource Guide

Why artists move: a guide to relocating

In recent years many artists have moved from major conurbations to smaller towns or cities in the UK, with access to cheaper work space and accommodation, improved health and wellbeing, and the need for stronger community networks among the factors influencing their decision to relocate. In this guide, Dan Thompson explores the many and varied reasons why artists move to a new place.

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News News comment

Platforms for change: what do artists really want from arts organisations?

The UK has the most highly developed arts infrastructure in the world. But, asks 2016-17 Clore Visual Artist Fellow Maurice Carlin in the first of two short provocations, imagine if it all disappeared overnight. Would it make a difference to your career? Would you still make art? And what do we want this infrastructure to do?

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