Sally Lai is currently a Clore Leadership Programme fellow and holds an MA in Curating from Goldsmiths College, University of London. Based in Manchester, the wide range of exhibitions and projects she has been involved with reflect her special interest […]
S Mark Gubb profiles R O O M and learns about its journey from artist-led venue in Bristol to a commercial space in London.
S Mark Gubb profiles no.w.here, an artist-run project space which expands and examines film within contemporary arts practice.
Well, it’s the final instalment, though I may break it into 2 or 3 posts to allow adding more pictures. I’m on the plane heading home, just as the Delhi climate starts to become pleasant. I’ve got a trip to […]
I arrived at L’H du Siega on Saturday the 15th of September 2007, by car. It seemed easier at the time, I was packing and bringing most of my belongings and preparing for three month being away from home. It […]
What gives a particular place its characteristics? Why are some cities hip and others lame? How does a neighbourhood change from good to bad?
Sally Davies profiles Kypros Kyprianou, discussing his interest in scientific themes, collaborative working and residencies at Artsway and Allenheads Contemporary Arts.
Penlanole Farm
9 September 2007
Exploring selected arts organisation with significant facilities and programmes for digital and new media practices.
Highlighting new projects by organisations located in Aberdeenshire, Cumbria, Devon, Dumfries, Fife, Mull, Lancashire, Norfolk, Northamptonshire, Suffolk, and Western Isles. “There is, in truth, nothing essentially backward-looking, conservative or traditional in rural culture. There are too many innovators, in too […]
After a far-reaching review and reshaping exercise, the Crafts Council has launched its new three-year plan. Describing itself as the national development agency for contemporary crafts in the UK, its key areas of work for the future are summarised as […]
Blog written 26th June 2007 from Roundstone on the mainlandSo now I am writing fom the rocks to the edge of shell beach looking across the sea toward Inishlacken. I can see the beach, the schoolhouse, Finklater’s cottage, the harbour […]
Lee Simmons talks to Emily Druiff about her curatorial practice, partnership working and her shift from artist to curator.
Some Practicalities On residencies: after a whirlwind tour I am now back and fully focused on my residency again. I have had a break, in part due to the need to attend to a family health related crisis – life […]
Ayling & Conroy survey the motives and trends that effect how UK commercial galleries select artists to exhibit.
Guyan Porter talks about the socio-economic dynamics of art markets and deconstructs notions of the art market in the UK.
Artists and artists’ support agencies have benefited from recent Arts Council England funding rounds.
Our second exhibition SHOP has come to an end. We've had some great feedback from visitors and artists who seemed to love the eclectic nature of the exhibition. It was useful to see how the space worked as a non-white-cube […]
We are now coming to the end of our second exhibition at Gallery Glue, Shop. If you haven’t seen it you should come along this week. The final day is Sunday 1st July and we are open 10-6 all week! […]
Postcard from Berlin 5: Kunstlerhaus Bethanien: Kunstlerhaus Bethanien is a gallery and studios set in a stunning former hospital building and park in Marianplatz, near the Ubahn stop Kottbusser Tor. As well as providing 25 studio spaces, accommodation and gallery […]
Last Friday I visited Jane Ponsford of Papertrails, a fellow blogger on AN Projects Unedited. We had met at the AIR meeting at Fabrica in March when Judith and I did a short presentation about collaboration. I wanted to see […]
It is saturday, one of the last days of the exhibition being up, and I am becoming reflective, making notes on ways to improve on the next project, and also finding bits of time to just watch my work and […]
The contemporary visual arts organisation ProjectBase has been established to commission internationally established artists to work with local communities to present exciting and innovative projects.
Radical changes in funding arrangements are due at the Scottish Arts Council (SAC) following last year’s strategic review.
Karin studied BA (Hons) Fine Art from 1999-2002 at Birmingham Institute of Art and Design, University of Central England. She now works in partnership with Reuben Henry, both in the residencies they offer at Springhill Institute – the studio in Birmingham that they set up in 2003 – and embarking on residencies abroad to make their own work.
