The third round of a-n’s Re:view bursary scheme has made nine funding awards to a total of 11 artists to develop their practice through self-determined professional development.
7th June – 7th September 2014.
12.00 midday – 5.00pm Thursday to Sunday
Online Radio, London and elsewhere
28 March 2014 – 31 March 2015
Manchester Museum, Manchester
30 October – 17 November 2013
Foremark in Derbyshire was farm land in Jockey Hill’s day. It was flooded in the 1970s becoming a reservoir supplying the people of Leicester. At first sight it appears that one beauty spot has been replaced with another. I’ve never […]
TRASH Conference Friday 14 September 2012 University of Sussex Tracey Potts was the keynote speaker on Your Own Personal Landfill: Stuff, Matter and the Myth of Eco-decluttering Her presentation focus was on clutter and stuff vs matter, challenging the pseudo-biomedical […]
Trash Conference is nearly here! On Thursday I’m off to Brighton to present the Museum of Contemporary Rubbish at The Basement (Kensington Street, Brighton) as part of the TRASH Postgraduate Conference at the University of Sussex http://sussextrashconference.wordpress.com I’m showing a […]
Some links to other rubbish related artists, projects and practices: A History of the World in 100 Objects Alice Bradshaw Angela de la Cruz Blank Newspaper Bow Gamelan Ensemble Brown Paper Bag Cathy Wilkes Ceal Floyer Ceal Floyer Chris Jordan […]
University of Bolton, Bolton
18 May – 17 June 2012
Gloucester Cathedral, Gloucester
3 – 31 March 2012
Alexis investigates, article five: A conversation with Siobhan Davies about dance thinking Recently choreographer Siobhan Davies has seemingly turned curator, commissioning four new collaborations between dancers and visual artists, the results of which are being shown in an exhibition titled […]
I worked with 30 children from South Dartmoor Community College; together we collaborated on creating on mapping their emotional landscape. Seven maps were created in all and were the product of a course – Emotion Mapping – I helped devise […]
I am disappointed today. I always thought Critical Network was quite a critical sort of network, given their views on the olympics and all… This was in their bulletin today or yesterday – thanks to Tracey Eastham for reminding me […]
Liverpool Hope University, Liverpool
14 January 2010
Commissioned by ACE, the Tom Fleming Creative Consultancy researched how well the Grants for the Arts programme was meeting its stated objectives in 2010.
The Devon Guild of Craftsmen, Bovey Tracey
28 August – 7 November 2009
Sonya Dyer’s publication questions assumptions about non-white artists, curators and administrators that shape the current diversity landscape, and suggests alternative ways forward.
With a background in architectural design, followed by research in architectural history, and then a period teaching public art and writing art criticism, my research has tended to focus on transdisciplinary meeting points – between feminist theory and architectural history, conceptual art practice and architectural design, art criticism and autobiographical writing – through individual and collaborative research projects.1
Angel Row and Beatties
4 April 2006 to 6 June 2006
Susannah Silver catches up with artists involved in one of the first NAN Scotland events at Cove Park, and finds out about networking in rural areas.
Helen Parrott considers the possibilities offered and some of the questions raised by the recent changes to arts funding systems in England and impending changes in Scotland.
Recent research carried out in the UK shows that eighty per cent of major corporate collections began in the last twenty years, with collections ranging from less than fifty to over 5,000 works. Significantly, half of the works collected were […]
My Interest in movement in relation to natural change has led me on a personal quest into the exploration of changed states of matter: decay, disintegration, movement, relocation and reformation. My enquiry has enabled me to make links between the […]
The rise of independent artist-run spaces across the UK, and a seemingly impenetrable gallery circuit in London, appear poles apart. Gordon Dalton in Edinburgh and Tim Birch in Manchester visit two young, ‘commercially-minded’ spaces that have picked up on this, and are encouraging an art market in exciting and challenging contemporary work outside London.
