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Gasworks studios
Gasworks is part of an international network of independent studios around the globe.
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Nottingham Studios Consortium
Nottingham Studios Consortium is an example of the ‘strength in numbers’ approach in making the case for studio provision.
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Bow Arts Trust
How education work has contributed to this studio’s success.
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CRATE
CRATE successfully accessed economic development and regeneration funds to buy a building.
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Introduction
Group studios
Paul Glinkowski looks at the UK studio landscape, highlighting successful new studio models. He also offers advice to artists wanting to set-up their own group.
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Research paper
Artists’ rates of pay 1989-2004
Analysis of past and current situation for artists’ fees and payments, introducing some issues for artists, employers and policy-makers to consider in the future.
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Tales of two cities: Brazil
Luiz Camillo Osorio on Rio de Janeiro and Ana Paula Cohen on S
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Stanley Picker Fellowship
Paul Glinkowski talks to Mark Beasley at the start of his Fellowship at Kingston University.
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News archive
International commission
The Life Lines landmark public art commission by international artists Vong Phaophanit and Claire Oboussier will be launched in February. The fifty-four metre long dynamic sculpture will translate the ever-changing sounds, weather and movement of people in Southend-on-Sea into a […]
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Research paper
Art work
Artist’s jobs and opportunities 1989-2003
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Art work
A-n Director of Programmes Susan Jones reviews artists’ jobs and opportunities over the years.
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Dalziel + Scullion
Jane Watt talks to Dalziel + Scullion about their collaborative practice, unusual studio set up and processes involved in their commission for Royal Aberdeen Children’s Hospital.
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East Street Arts
East Street Arts (ESA) is a model example of what the purchase and refit of studios involves.
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Research paper
Fees and payments for artists
Funded by Arts Council England, this research study in 2004 prefaced new resources from a-n to extend the Code of Practice and demonstrate good practice within artists’ fees and payments, for use by artists and public-sector employers and commissioners. For current sample rates go to Guidance on fees and day rates and for latest Paying artists research go to www.a-n.co.uk/tag/paying-artists
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Stroud Valleys Artspace
More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.
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It’s a far away town
International fairs are a great opportunity for researching galleries and making contacts, here is a selection of just some of the 150 showing at this year’s Frieze Art Fair.
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World in motion
Rosemary Shirley investigates the impact over ten years of the Braziers’ international residency workshop, set up by artists for artists.
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Burning down the house
Nina Madden investigates the Acme Fire Station Residency and Bursary Scheme.
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Wondering in Turkey
Aikaterini Gegisian profiles The Leleg Institute Project, a platform for collaboration and cultural exchange in Turkey.
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Jane Bailey
In summer 2003 I took part in Excavate Overlay, a multi-disciplinary project involving artists, a writer/ anthropologist, archaeologists and members of a rural community in Caithness, Scotland.
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Eating Grass
Edith-Marie Pasquier talks to inIVA Director Gilane Tawadros and artist Alia Syed about their experience of working together.
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Making visible
Deborah Smith unpicks the notion of collaborative practice in the work of the artist, writer and curator David A Bailey, the third article in the ‘Crossing over’ series.
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Auditing Scotland
The Scottish Arts Council has recently published an audit of visual artists. Moira Jeffrey reports.
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LabCulture: a new cult?
Carolyn Black profiles the intensive ideas laboratory run by PVA MediaLab.
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Showing out
In the second of the ‘Crossing over’ series, Nina Madden meets Kirsty Ogg, Director of London-based organisation The Showroom.