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This year’s Jerwood Drawing Prize continues its reputation for being deliberately provocative in its definition of ‘drawing’, with the top award going to a video piece. Lydia Ashman soaks up the medium’s shifting forms.

The just-opened ‘Abstract Expressionism’ exhibition at the Royal Academy chronicles a key moment in 20th century art, presenting some of the period’s most iconic works. Fisun Güner reflects on the significance of this last great age of the artist as hero and tortured genius.

Last week’s ‘Great British Art School Debate’ at University of the Arts, Camberwell, turned out to be nothing of the sort. But the lack of critical discussion only served to highlight the need for a far-reaching debate around the future of the art education.