Review
‘Only Expansion’ by Duncan Speakman
A review of an “augmented soundwalk” experienced in Bristol city centre at 7pm on 27th October.
Reviews - a-n The Artists Information Company
Review
A day of Prospecting
Prospecting: new directions and territories for artists’ practice
Symposium held on 1st November 2018.
Review
SLOW LANDSCAPE – Anne-Mie Melis
A response to Anne-Mie Melis’ SLOW LANDSCAPE exhibition at ArcadeCardiff
Review
Looking At Art With Alex Katz
American painter looks at his favourite artists. Never has writing about the great artists been so concise, so precise, and so insightful.
Review
‘The Clock’ by Christian Marclay
A short reaction to Christian Marclay’s ‘The Clock’ on show at Tate Modern, London, 14 September 2018 – 20 January 2019.
Review
Ways of Being – James Cahill
Artists talk about their lives and careers in the art world
Review
Patrick Heron
The first major show of Patrick Heron’s work for 20 years has toured from Tate St Ives to Turner Contemporary, where it’s joined by previously unseen work
Review
David Hancock of Paper Gallery Reviews ‘Systems of Philosophy’. Full review.
The full review of the parallel shows, ‘Systems of Philosophy – Wall(paper)s of Mind’ (Annett) which look at the role of ‘paper’ in the contexts of international ‘soft power’ and encryption technology. Supported by Arts Council England.
The work tours to France in December.
Review
Is Mother Proud of Little Boy Today?
A review of Alex Billingham’s Ashes To Ashes.
Review
Threads Salon, Turner Contemporary, April 2018
“Salons of the same quality as we witnessed on 20th April 2018 in Margate are the reason why these gatherings of restless creative minds generate so much energy and collective knowledge.”
Review
Art Exhibition Greenwich
Newspaper coverage of my art exhibition August/September 2018
Review
Do I Have To Draw You A Picture?
Text-based art from the Golden Age of 1960s conceptual art comes to Cambridge
Review
‘We Don’t Need Another Hero’: Finding Home at the Biennale?
Taking the outdoor shoes off, dusting off the photo album, the ogling guests and that jarring Uncle – finding the familiar at the 10th Berlin Biennale.
Review
War and Peace in Shrewsbury
A review of exhibition ‘An Undertaking’ at St Chad’s, Shrewsbury
Written by *Mélissa Evans
Review
Organisational Diagrams for Everyday Life
REVIEW BY CLAIRE HARPER
Review
Ellen Wilkinson reflects on Paper Structures: Book Arts Unfolded
A course for anyone interested in pushing a predominantly 2D practice into 3D in order to observe the impact this has on your thinking / research
Review
Manifesta 12: Fruit, murals, prisons.
On some encounters with defamatory portraiture and miraculous microclimates.
Review
Weeds in the Cracks
Weeds in the cracks Manifesta12, Palermo, 2018 The planetary Garden is a concept planted in the world by the French philosopher and gardener Gilles Clement. It is this idea that took root with me during my visit to Maifesta12 in […]
Review
The Body of Cambridge, Caroline Wendling
Performative walk exploring the power of smell.
Review
Re-imagine the City
A review of Re-Imagine the City, a residency exhibition at Artcore, Derby. On display until 19th August 2018. Words by Lydia Grey, Images by Artcore.
Review
GSA 2018 MFA Degree Show
Review of GSA 2018 MFA Degree Show, first published in Art Review Glasgow, Issue 3
Review
Why I’m glad I found my way Home….
In 2016 I attended a creative clinic led by curator and collaborator Annette Moloney. Within 10 minutes, Moloney was quoting Radiohead, and with good humour: You do it to yourself, you do… And that’s why it really hurts. […]
Review
Berlin Biennale X
The tenth Berlin Biennale, titled ‘We Don’t Need Another Hero’, “…proposes a plan on how to face a collective madness; it offers a platform for collective dreaming and for action.”[i] In place of a direct curatorial theme or framework, curator […]
Review
Manifesta 12: Chercher La Femme, Chercher Le Queer
I applied to for a bursary to visit Manifesta 12 partly out of interests for its core themes of migration, and space/place as politically charged, especially as sites of repression, which I explored in my own work (Ghost House, Disciplinary […]
Review
Sitting on a Man’s Head: Review
An account of ‘Sitting on a Man’s Head’ (2018), a collaboration between Okwui Okpokwasili, Peter Born and a number of Berlin-based artists at the 10th Berlin Biennale for Contemporary Art, 2018
