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Group Crits are something that puts the fear into any art student. I decided that I would use the opportunity to put away this fear and use the presents of my fellow students to perform a new piece of work in front of them. the performance starts with the audience being presented with 3 objects. A silver beer barrel and rope in a circular pattern around the barrel, with slip knots tie on the ends the third object a wooden sword/knife placed onto of the silver barrel.

I gathered the audience around the perimeter of the rope. I walked around in a circle placing the rope in the audiences hands. after this I walked around looking at the the barrel assessing how I could approach this. I did this in a menacing way to in still tension into the piece. the potential was there to be used as I wished I had control I had told the audience what to do and they did this. I walked around and around until i decide to pick up the wooden object and hit the barrel in a considered manner right left up down right left up down. I placed the slip knots onto my wrists and started shouting and hitting the barrel. the instructional questions insue. ‘am I still getting louder?’ ‘wont you stop me?’ ‘Is this what you want?’ these questions aimed upon the barrel.

The audience stayed and started to pull on the rope to restrict me with one last blow of the barrel the wooden object broke and I was pulled into a crucifix type position unable to move.

Above the installation of the remains of the performance.

Comments on the above performance.

  • Painful
  • angry
  • confusion
  • teamwork
  • hurt
  • crucifixion
  • industry
  • nuisance
  • torment
  • Violence
  • ambiguous
  • Arena
  • Childs play

Arena

One person felt i had set the performance up like a gladitorial arena , the had expected me to wrestle with the barrel.

Childs play

it was commented on the wooden sword being a Childs toy and that what we learn through play as a child affects our later life.

Ethics 

  • escalated quickly
  • Steady build up but ultimately erupted into noise but the build up had more tension to it than the explosion. build up scary.
  • Choice/no choice – are we all controlled by the man is the performer actually in control and did we just fall for his trick. are we as bad as those in charge.
  • Protection of self
  • Ropes around wrists  – control or control of audience
  • humanity and generosity
  • ritualistic
  • torture
  • menace

Things to look at

  • savagery of the performance
  • ‘the trial’ film?
  • mil-grim experiment
  • costume?

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last week I performed for PiLot at the university. I tested a performance where i dragged a box using a pulley system and rope backwards and forwards.

Feed Back

  1. Is this performance Site Specific?
  2. Is it about the setting
  3. Creates Drama and tension
  4. Monastic
  5. would it work as a film?
  6. absurd
  7. Pointless
  8. indication of pain
  9. does it need a start and an end?

I had a few answers for thes points and questions and by answering them it may help me develop other work and help me come to a conclusion to what I am looking at.

  1. Yes and no if a space is set up correctly then it may work well and/or differently in a white cube space. Something I aim to look at in crits later on this semester.
  2. Something also I would like to experiment with the setting can really play with the horror content. Covered face and black suit.
  3. tension i can see with the ‘whats going to happen next’ also i found there was a feeling of loneliness I was on my own dragging the box in the cold especially when the audience left.
  4. I had to research ‘Monastic’ and I like this observation especially in relation to my earlier research project.
  5. I am attempting a film version but through film you must question does it provide the physicality? and the knowlege that the performer may be sill going once the audience moves away. Its about the illusion of the continuous vicious circle. Its haunting.
  6. absurdity found within the setting the costume and the actions which i like maybe it could be more absurd.
  7. pointlessness found within the absurdity
  8. pain found within the actions within the performance.
  9. No not for the ideas i am running with.

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